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~ Revolution of Dance
Views: 280569 |  |  |  |  | Eddie Slowikowski takes you on a journey through an array of the most popular dance moves. Here is the full list of songs in order:
Billie Jean (michael jackson)
Tequila (the champs)
C'mon ride the train
Its not unusual (tom jones)
Lets go crazy ( ...More prince)
Kiss (prince)
You should be dancing (the bee gees)
Vogue (madonna)
Electric slide
Every little step (bobby brown)
I'm too sexy (right said fred)
Livin La vida Loca (ricky martin)
Men in Black (will smith)
Hip Hop Hooray (naughty by nature)
Get low (ying yang twins)
Micky (toni basil)
Smells like teen spirit (nirvana)
Super Freak (Rick James)
Austin Powers theme
Cha Cha Slide
Conga (gloria estefan)
Footloose (kenny loggins)
My Humps (black eyed peas)
Crazy in Love (Beyonce)
Dancing Machine (The Jackson 5)
Lose Control (Missy Elliot)
Sexyback (Justin Timberlake)
Canned Heat (Jamirioquai)
For more info, head to eddiespeak.com or myspace.com/eddiespeak. |
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~ Alone Again (Naturally)
Views: 145243 |  |  |  |  | http://www.tarawatch.org:80/
(Help save TARA)
Gilbert O'Sullivan (born Raymond Edward O'Sullivan, on 1 December 1946, in Waterford, Ireland) is a singer-songwriter, best known for his early-1970s hits "Alone Again (Naturally)", "Clair" and "Get Down". ...More
Biography
Early in his life, his family moved to Swindon, England, where he attended St. Joseph's Comprehensive school. Here he began to develop an interest in music and art. At Swindon Art College in 1963, he met Rick Davies who would later become a member of the progressive rock band Supertramp. During these years, O'Sullivan experimented with songwriting, writing his first song, "Ready Miss Steady."
O'Sullivan signed a five-year contract with CBS in 1967. However, after two unsuccessful singles with CBS, and one with the Irish label Major Minor, he sent some demo tapes to Gordon Mills, the manager of Tom Jones and Engelbert Humperdinck, whereupon he signed with Mills' label, MAM Records. It was Mills who redesignated him Gilbert O'Sullivan, a pun on Gilbert and Sullivan, but the eye-catching visual image comprising pudding-basin haircut, cloth cap and short trousers, was O'Sullivan's own idea, reportedly hated by Mills but O'Sullivan insisted on going with it, at least for a couple of years, after which a more modern look took over in which he often wore a sweater bearing a large letter 'G'. At the end of 1970, O'Sullivan achieved his first UK Top 10 hit with "Nothing Rhymed", which reached No. 8 (No. 1 in The Netherlands), and enjoyed nearly five years of major success. This run incorporated thirteen more hit singles, six of which reached the UK Top 10, plus four Top 10 albums, including Himself (1971), Back To Front (1972), I'm A Writer Not A Fighter (1973) and A Stranger In My Own Back Yard (1974). In 1972 his international star raised, after his self-penned ballad, "Alone Again (Naturally)," a No. 3 hit in Britain, became a chart-topper in the U.S., spending six weeks at number one on the Billboard Hot 100 chart and selling nearly two million copies there.
He also landed two consecutive UK chart toppers, with the songs "Clair" (1972); and "Get Down" (1973), which reached No. 2 and No. 7 respectively in America. However, things later turned sour, as O'Sullivan discovered his recording contract with MAM Records greatly favoured the label's owner. A litigation followed, with prolonged argument over how much money his songs had earned and how much of that money he had actually received. Widely reported in the media, this may have been the first high-profile case of its kind.[citation needed] Eventually the court found in O'Sullivan's favour, the judge describing him as "a patently honest and sincere man," who had been treated shabbily. He had won, but the court battle had put his recording career on hold.
Sometime before the case had come to court, he had returned after a five year chart absence in 1980, with a new contract with his old label, CBS. The first single of the new contract - "What's In A Kiss" - reached No. 19 in the UK. But then the hits completely dried up, and due in part to the court case, O'Sullivan released no new material between 1982 and 1987. Apart from a minor hit single in 1990 and a compilation album in 1991, O'Sullivan was absent from the charts until another compilation album returned him to the Top 20 in 2004. For years O'Sullivan spoke in a bad light about his fall from fame, once saying that "no-one cares" what he has to say anymore, until the internet came along and he got in contact with some fans on his website.
However, O'Sullivan continues to record and perform to the present day, and enjoys some success in Japan. |
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~ My Yiddishe Momme - A Song for Mothers
Views: 35796 |  |  |  |  | Duet by Tom Jones and John Farnham
Lyrics:
My Yiddishe Mama, I need her more than ever now.
My Yiddishe Mama, I'd love to kiss that wrinkled brow.
I long to hold her hands once more as in days gone by
And ask her to forgive me for things I did tha ...More t made her cry.
How few were her pleasures, she never cared for fashion's styles
Her jewels and treasures, she found them in her baby's smiles
Oh, I know that I owe what I am today
To that dear little lady so old and gray
To that wonderful Yiddishe Mama of mine. |
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~ Jordin Sparks ft Chris Brown - No Air Video
Views: 48507 |  |  |  |  | Jordin Sparks ft Chris Brown - No Air
Jordin Sparks ft Chris Brown - No Air
Jordin Sparks ft Chris Brown - No Air
Jordin Sparks ft Chris Brown - No Air
Jordin Sparks ft Chris Brown - No Air
Jordin Sparks - Tattoo
Jordin Sparks - One Step At A Time ...More
Jordin Sparks - No Air (featuring Chris Brown)
Jordin Sparks - Freeze
Jordin Sparks - Shy Boy
Jordin Sparks - Now You Tell Me
Jordin Sparks - Next to You
Jordin Sparks - Just for the Record
Jordin Sparks - Permanent Monday
Jordin Sparks - Young and in Love
Jordin Sparks - See My Side
Jordin Sparks - God Loves Ugly
Jordin Sparks - This Is My Now
Give Me One Reason - Tracy Chapman
Reflection - Christina Aguilera
Heartbreaker - Pat Benatar
If We Hold On Together - from "he Land Before Time - Diana Ross
I (Who Have Nothing) - Tom Jones/Shirley Bassey
Hey Baby - No Doubt
On a Clear Day - Tony Bennett
Rhythm Is Gonna Get You - Gloria Estefan
A Broken Wing - Martina McBride
You'll Never Walk Alone - Rodgers and Hammerstein
Livin' on a Prayer - Bon Jovi
To Love Somebody - Woman in Love - Bee Gees
Barbra Streisand / Bee Gees
Wishing On A Star - She Works Hard for the Money
I (Who Have Nothing) (Encore) Rose Royce
Donna Summer
Shirley Bassey
Fighter - A Broken Wing (Encore)
This Is My Now - Christina Aguilera
Martina McBride
Jordin Sparks Winner
American Idol Season 6
Jordin Sparks - No Air (featuring Chris Brown)
Jordin Sparks - No Air (featuring Chris Brown) |
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~ Dionne Warwick Mr. Kiss Kiss Bang Bang Thunderball 1965
Views: 36972 |  |  |  |  | Writes Geoff Leonard in "Bond by Barry: The Story of James Bond Music": For Thunderball, the fourth film in the Bond series, the producers for this outing felt it a good idea to do away with the normal title song, (Thunderball was thought to prove diff ...More icult lyric-wise in any case). So they decided to use the name by which Bond had become known in Italy and Japan - Mr Kiss Kiss Bang Bang. Accordingly, Barry based the entire score around this title song which had lyrics written solely by Leslie Bricusse (Newley was working in America at the time). The Bond team had even chosen the singer - Dionne Warwick, who sang her own arrangement, after Shirley Bassey's original version had failed to impress. Barry takes up the story: "Dionne's was a marvellous song and she did a great arrangement for it. It was a really strange song. It had about twelve cow bells on it with different rhythms, along with a large orchestra, and thought it a very original piece. Then, at the last minute they got cold feet and decided to have a song called 'Thunderball'." The official reason for the change of mind was that the original song-title may have been considered to have sexual connotations in conservative America, but rumour has it that there may have been a threat of court action from Bassey following her replacement by Warwick. Obviously if the song wasn't used at all, there could be no case to answer!
Whatever the reason, it led to Barry's long partnership with lyricist Don Black, as by the time the decision to change the song had been taken, Bricusse had also gone to work in America and wasn't available. When director Terence Young heard Tom Jones singing Thunderball for the first time, he said it sounded like 'Thunderfinger'. Barry's laughing rejoinder was to the effect that "I gave them what they wanted." |
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~ three minutes of your life you'll never get back again
Views: 37044 |  |  |  |  | Back in my day, we didn't rip videos from YouTube to make our films. No sir, we just grabbed the camera and started shooting. And there wasn't any fancy video editing software, either. If you wanted an edit, why, you got out your scissors and paintbrus ...More h and you went to work, frame by frame. And back in my day we had Kiss and Tom Jones -- well, actually we still do. But you could go to a concert for six dollars. And we worked hard for those dollars. Not like today.
Did you enjoy this video? Download it: http://www.filebam.com/download/51517-2843ba/Kiss.avi |
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