a' die It's not unusual to go out at any time but when I see you out and about it's such a crime if you should ever want to be loved by anyone, It's not unusual it happens every day no matter what you say you find it happens all the time love will never do what you want it to why can't this crazy love be mine It's not unusual, to be mad with anyone It's not unusual, to be sad with anyone but if I ever find that you've changed at anytime it's not unusual to find out that I'm in love with you whoa-oh-oh-oh-oh

other than that I was fiddling around with the movie make till I got what I wanted. Thanx clesmalo for helping me out when I needed it! This video was inspired by: Ariel333Lindt's Harry Potter- Crack & Slash http://www.youtube.com/watch?v=sFW2eeXV4HE&feature=PlayList&p=4C94E76CECC34951&index=10 AND grizabella626's Ed Edd n' Eddy Showtune parodies http://www.youtube.com/watch?v=-dZ7cLgfWE8&feature=PlayList&p=9E10D889F2A915A0&index=3 Another reason I made this vid was because there were certain songs I wanted to see used for certain clips in Ed Edd N Eddy. Songs Used IN ORDER: EEnE Music (:00-:17) I'll Make a Man out of you- Mulan (:18-:51) Sex Bomb- Tom Jones (:52-1:06) Girls- Beastie Boys (1:07-1:18) Does Your Mother Know- ABBA (1:19-1:30) We Fly High (Ballin')- Jim Jones (1:31-1:41) You Spin me Right Round (Like a Record)- Dead or Alive (1:41- 1:56) Merry Christmas Everyone- Shakin' Stevins (1:57-2:15) I'm Not Ok (I Promise)- My Chemical Romance (2:16- 2:36) Pleasureman- Gunther and the Sunshine Girls (2:37-2:46) The Homo Rainbow- Ween (2:47-3:01) Do You Want to- Franz Ferdinand (3:02-3:21) Black or White- Michael Jackson (3:22-3:27) All the Things she Said- Tatu (3:28-3:50) Malchik Gay (My Gay Boy)- Tatu (3:51-4:14) Predictable- Good Charlotte (4:15-4:48) *Note* This video is purely fan made and junk like that. *Another Note* Yea I know the credits are a bit blurry so message me if you cant read them. I will get back to you ASAP and I will tell you all the songs in order. ~Dee ♥ (your random eene fangirl)

singer Merle Travis, it has also been claimed that the Travis version was actually a rip-off of an earlier song called "Nine-to-ten tons", written by a singer called George S. Davis in the 1930s. A 1955 version recorded by 'Tennessee' Ernie Ford was on the b-side of his cover of the Moon Mullican standard, "YOU DON'T HAVE TO BE A BABY TO CRY". However, it was Ford's "SIXTEEN TONS" that reached number one in the Billboard charts, besting the performance of the competing version by Johnny Desmond. Another competing version by Frankie Laine was released only in the UK where it gave Ford's version some stiff competition on the charts. On October 17, it was released and, by October 28, it sold 400,000 copies. On November 10, a million copies had been sold. The record had sold two million copies by December 15. The well-known chorus runs: You load sixteen tons, and what do you get? Another day older and deeper in debt. Saint Peter, don't you call me, 'cause I can't go; I owe my soul to the company store... The line from the chorus "another day older and deeper in debt" was a phrase often used by Travis's father, a coal miner himself. This and the line "I owe my soul to the company store" is a reference to the truck system and to debt bondage. Under this system workers were not paid cash; rather they were paid with unexchangeable credit vouchers for goods at the company store (usually referred to as scrip). This made it impossible for workers to store up cash savings. Workers also usually lived in company-owned dormitories or apartment buildings, the rent for which was automatically deducted from their pay. In the U.S. the truck system and associated debt bondage persisted until the strikes of the newly-formed United Mine Workers and affiliated unions forced an end to such practices. The song has been covered by a wide variety of musicians. In 1955 it was recorded by Tennessee Ernie Ford and hit Billboard's Country Music charts in November and held the #1 position for ten weeks, then crossed over and held the #1 position on the pop music charts for eight weeks. Other examples include a rock version released by Eels on their live album "Sixteen Tons (10 Songs)" (2005), a country version released by Johnny Cash on his live album "The Best of Johnny Cash in Concert" (1995), a version with a rock edge by Tom Jones that became a hit in 1967, a blues-rock version recorded in 1972 by CCS, a slow, jazzy version released by Stan Ridgway on the album Anatomy (1999), a #@!&bia version by nuclear polka band Brave Combo, and a traditional roots country version released by Corb Lund on the album Modern Pain (1995). A folk-punk version was also performed by This Bike is a Pipe Bomb. Swedish doom metal band Memento Mori recorded a version of this song as a hidden track on their 1993 debut album Rhymes of Lunacy. The song can be found if the listener allows the CD to remain playing several minutes after the final listed song ends. Serbian hard rock band Riblja Čorba recorded a cover version called "16 noći" (Trans. "16 nights"), which appeared on their 1999 album Nojeva barka. The 1990 rendition of the song by Eric Burdon was used for the memorable opening to the comedy JOE VERSUS THE VOLCANO. The song is also sung in the undersea horror movie LEVANIATHAN. Presidential candidate Dennis Kucinich's rendition of the song on January 8, 2007 received fairly widespread media play on a variety of television stations and on the popular website YouTube. In Russia, Moscow's venue "Sixteen Tons" is named after the song by Merle Travis. "Sixteen Tons" track is a house song and can be heard before each concert held in the club. In Russia this song has been famous since the Soviet times, but in the Platters' version. The song was so influential, that in the USSR several cover versions were made in Russian. In one of the Russian versions the words in the chorus were about US plans to attack the USSR with 16 ton bombs: Sixteen tons, the heavy load Planes are flying to bomb the Soviet Union The planes are flying to the East To bomb a simple soviet village In 2005, General Electric ran a series of ads for its new "clean coal" campaign. With clear disregard for the message of "Sixteen tons," they used it to sell coal and the coal industry.

& I'd #@!& your younger brother #@!&less, yes I would I'd jack off to boys in the hood I'd yank it good Chorus 1- Oh it's what dudes do to me Oh it's what dudes do to me Oh it's what dudes do to me Oh it's what dudes do to me What dudes do to me Hey there Delilah my Tom Jones is getting hard Just two more beers and I'll work up the nerve to go down on that 'Tard I'll take it all I'll ride his 'Tard junk balls and all Unhinge my jaw Hey there Delilah I'm not saying that I'm gay But if you put a #@!& in front of me I'll rub it on my face I'd grab the shaft And slowly work it up my ass Then hunch it fast Chorus 2- Oh it's what dudes do to me Oh it's what dudes do to me Oh it's what dudes do to me Oh it's what dudes do to me A thousand goths and one cigar I know that dream sounds so bizarre I'll cut myself and make it go away Our friends would all make fun of us But #@!& those #@!& ass douchebag #@!&s They'll pay their debts in blood this very day Delilah I can promise you That once i prove that your a jew I'll baptize all your family in flame And your to blame Hey there Delilah don't you worry about protection You have all the cops that you want I'll still add you to my collection Yes I will Your shrieks of pain will be so shrill Half of you will end up in a landfill I'll wear your skin call myself Jill It will be ill Chorus 3- Oh it's what dudes do to me Oh it's what dudes do to me Oh it's what dudes do to me Oh it's what dudes do to me It's what dudes do to me

Graceland. This in the disk From Elvis Presley Boulevard, Memphis,Tennessee-76 . Thank.

c archives to unearth electrifying performances of great, love inspired, singles from the superstars of the Sixties and Seventies: Tom Jones with a passionate serenade, Linda Ronstadt and her career-blazing ballad, Kenny Rogers & The First Edition performance "Cherish," and much, much more. Studded with Brain-Teasing Trivia, Bonus Features such as a Bonus Video Clip from Marilyn McCoo & The 5th Dimension and Multiple Biographies, and more, this is the ultimate entertainment time capsule. Selections include Sonny & Cher's "I Got You Babe," Tom Jones performing "I (Who Have Nothing)," Linda Ronstadt with a heart wrenching rendition of "Long, Long Time." The DVD also features Jim Croce performing "Operator," The Carpenters performing "Superstar," as well as Kenny Rogers & The First Edition singing "Cherish, and musical icon Bobby Darin singing "If I Were A Carpenter." The FLASHBACKS Series also includes "Soul Sensation" with Ike & Tina Turner, Gladys Knight, Lou Rawls and more, as well as "Pop Parade" with Sonny & Cher, Jim Croce, and Dionne Warwick among others. For more information, to view our entire catalog, or to purchase the DVD, please go to www.view.com

icult lyric-wise in any case). So they decided to use the name by which Bond had become known in Italy and Japan - Mr Kiss Kiss Bang Bang. Accordingly, Barry based the entire score around this title song which had lyrics written solely by Leslie Bricusse (Newley was working in America at the time). The Bond team had even chosen the singer - Dionne Warwick, who sang her own arrangement, after Shirley Bassey's original version had failed to impress. Barry takes up the story: "Dionne's was a marvellous song and she did a great arrangement for it. It was a really strange song. It had about twelve cow bells on it with different rhythms, along with a large orchestra, and thought it a very original piece. Then, at the last minute they got cold feet and decided to have a song called 'Thunderball'." The official reason for the change of mind was that the original song-title may have been considered to have sexual connotations in conservative America, but rumour has it that there may have been a threat of court action from Bassey following her replacement by Warwick. Obviously if the song wasn't used at all, there could be no case to answer! Whatever the reason, it led to Barry's long partnership with lyricist Don Black, as by the time the decision to change the song had been taken, Bricusse had also gone to work in America and wasn't available. When director Terence Young heard Tom Jones singing Thunderball for the first time, he said it sounded like 'Thunderfinger'. Barry's laughing rejoinder was to the effect that "I gave them what they wanted."