eaturing some classical Chicane productions amongst rather exiting new material and unreleased mixes!! Tracklist: "The Best of Chicane 1996-2008" 1. Offshore 2. Bruised Water (vs. Natasha Bedingfield) 3. No Ordinary Morning 4. Don't Give Up (feat. Bryan Adams) 5. Spirit (feat. Jewel) 6. Halcyon 2008 7. Sunstroke 8. Stoned in Love (feat. Tom Jones) 9. Wake Up (feat. Keane) 10. Come Tomorrow 11. Leaving Town 12. Daylight 13. From Blue to Green 14. Love on The Run 15. Locking Down 16. U R Always 17. Saltwater 18. Early All Material Used in This video is Copyright of Respective Owners: Nicholas "Nick" Bracegirdle (aka Chicane) Label: Modena Records Ltd.

led by Snoop Dogg), and No Fun (done by the Sex Pistols). The second album released the following year, Fun House, contained Down On the Street (done by Rage Against the Machine), 1970 (the Damned), and T.V. Eye, most recently heard on the original soundtrack of Jack Blacks School Of Rock (along with Sick Of You). The Stooges final album, 1973s Raw Power, was the source for Search and Destroy (whose endless covers include Red Hot Chili Peppers, the Go-Gos, Dictators, Everclear, EMF, Cameron Crowes Almost Famous movie soundtrack, and Beavis & Butthead!), Gimme Danger (Monster Magnet and last years Dogtown And Z-Boys soundtrack), and Shake Appeal (a perennial VH1 and horror movie favorite), not to mention Guns N Roses cover of the title tune, Raw Power. Iggys first two solo albums (both 1977 releases) are equally turned-to for their riches. The Idiot is the place to find Nightclubbing (chosen for the Trainspotting movie soundtrack and memorably re-done by Grace Jones), China Girl (nicely rediscovered last year by Pete Yorn), and Fun Time (check out the versions by R.E.M., Boy George, and Peter Murphy). Iggys most-covered song (and most-requested, on a commercial basis year after year) is the title tune from the next album, Lust For Life, and space does not permit even a partial list of the songs appearances, from Trainspotting and tv cameos in Ally McBeal, Gilmore Girls, and NBCs 75th Anniversary Special, to commercials ranging from Kelloggs cereal to Royal Caribbean Lines, to covers ranging from the Replacements, the Smithereens, and the Damned, to Bruce Willis (on the Rugrats Go Wild movie soundtrack) and Tom Jones. The LP also contained The Passenger, a widely compiled and covered tune (as by R.E.M., Siouxsie & the Banshees, Lunachicks and more). After Iggys self-confessed drug and alcohol-fueled lost weekend of the 80s, which included seriously overlooked albums on Arista (New Values, Soldier, Party) and A&M (Blah-Blah-Blah with Real Wild Child, Instinct), he emerged in 1990 on Virgin with Brick By Brick. It spent 37 weeks on the Billboard chart, the longest of any Iggy Pop album, propelled by Candy (featuring singer Kate Pierson of the B-52s), the first and only top 30 single of his career to date. Years later, Candy would show up in the American Beauty soundtrack and compilations spanning from Australia and New Zealand to Greece and South America. Iggy has gone on to build an impressive album catalog at Virgin: American Caesar (1993, with its manic remake of Louie, Louie), Naughty Little Doggie (Mar. 1996), Nude & Rude: The Best Of Iggy Pop (Oct. 1996), Avenue B (1999, a change-up with some jazzy, soulful spoken word pieces and a cover of Shakin All Over that has appeared on many collections), and Beat em Up (2001, with the 13-minute closing stream of consciousness monologue, V.I.P.). The 90s also found Iggy embarking on a sideline film career that had begun almost by accident in the 80s with roles in Sid And Nancy and Paul Newmans The Color Of Money. Iggy could be seen in the post-apocalyptic Hardware (1990), John Waters ill-fated Cry-Baby with Johnny Depp (also 1990), the comic-based Tank Girl (1993), Jim Jarmuschs surrealistic Western Dead Man (1995, again with Depp), the Spanish sci-fi Spaghetti Western Atolladero (also 1995), the sequel to the comic-based The Crow, City Of Angels (1996), Johnny Depps American Indian thriller The Brave (1997, with Marlon Brando), the Chris Elliott comedy Snow Day (2000), and Jarmuschs all-star Coffee & Cigarettes (2003). Over the same period, Iggy became a ubiquitous presence in a handful of tv assignments, ranging from Nickelodeons The Adventures Of Pete & Pete and Accidentally On Purpose, to Star Trek Deep Space 9 and HBOs Tales From the Crypt. In the midst of all this action, as far back as the early 90s, observers were getting wind of guitarist Ron Asheton (when he was in the band Dark Carnival) setting clubs on fire with his versions of Stooges songs. This was nothing less than inspirational to Thurston Moore (of Sonic Youth) and A&R man Jim Dunbar. In 1998, they were able to create a group known as Wylde Ratttz around the core of Ron and Thurston on guitars, Scott Asheton on drums, bassist Mike Watt, and singer Mark Arm (of Mudhoney). They recorded T.V. Eye for the original soundtrack of the controversial glam-rock film Velvet Goldmine.

ned structure - all leading to satisfaction…and a desire to come back for more. Indigo Sunset, the hip Atlanta-based funkjazz band is like good food and better sex in exactly this way.

bum: The Best of Tom Jones 1998 Song: Delilah I saw the light on the night that I passed by her window I saw the flickering shadows of love on her blind She was my woman As she deceived me I watched and went out of my mind My, my, my, delilah Why, why, why, delilah I could see that girl was no good for me But I was lost like a slave that no man could free At break of day when that man drove away, I was waiting I cross the street to her house and she opened the door She stood there laughing I felt the knife in my hand and she laughed no more My, my, my delilah Why, why, why delilah So before they come to break down the door Forgive me delilah I just couldnt take any more [Insert trumpet solo here] She stood there laughing I felt the knife in my hand and she laughed no more My, my, my, delilah Why, why, why, delilah So before they come to break down the door Forgive me delilah I just couldnt take any more Forgive me delilah I just couldnt take any more * Tom Jones Sir Thomas Jones Woodward, OBE (born 7 June 1940), known by his stage name Tom Jones, is a Welsh pop singer. He was born in Treforest, near Cardiff, Wales. *

Album: The Best of Tom Jones 1998 Song: She's A Lady She's A LadyWell she's all you'd ever want, She's the kind they'd like to flaunt and take to dinner. Well she always knows her place. She's got style, she's got grace, She's a winner. She's a Lady. Whoa whoa whoa, She's a Lady. Talkin' about that little lady, and the lady is mine. Well she's never in the way Something always nice to say, Oh what a blessing. I can leave her on her own Knowing she's okay alone, and there's no messing. She's a lady. Whoa, whoa, whoa. She's a lady. Talkin' about that little lady, and the lady is mine. Well she never asks for very much and I don't refuse her. Always treat her with respect, I never would abuse her. What she's got is hard to find, and I don't want to lose her Help me build a mansion from my little pile of clay. Hey, hey, hey. Well she knows what I'm about, She can take what I dish out, and that's not easy, Well she knows me through and through, She knows just what to do, and how to please me. She's a lady. Whoa, whoa, whoa. She's a lady. Talkin' about that little lady and the lady is mine. Yeah yeah yeah She's a Lady Listen to me baby, She's a Lady Whoa whoa whoa, She's a Lady And the Lady is mine Yeah yeah yeah She's a Lady Talkin about this little lady Whoa whoa whoa whoa Whoa and the lady is mine Yeah yeah She's a Lady And the Lady is mine. She's A Lady * Tom Jones Sir Thomas Jones Woodward, OBE (born 7 June 1940), known by his stage name Tom Jones, is a Welsh pop singer. He was born in Treforest, near Cardiff, Wales. *

singer Merle Travis, it has also been claimed that the Travis version was actually a rip-off of an earlier song called "Nine-to-ten tons", written by a singer called George S. Davis in the 1930s. A 1955 version recorded by 'Tennessee' Ernie Ford was on the b-side of his cover of the Moon Mullican standard, "YOU DON'T HAVE TO BE A BABY TO CRY". However, it was Ford's "SIXTEEN TONS" that reached number one in the Billboard charts, besting the performance of the competing version by Johnny Desmond. Another competing version by Frankie Laine was released only in the UK where it gave Ford's version some stiff competition on the charts. On October 17, it was released and, by October 28, it sold 400,000 copies. On November 10, a million copies had been sold. The record had sold two million copies by December 15. The well-known chorus runs: You load sixteen tons, and what do you get? Another day older and deeper in debt. Saint Peter, don't you call me, 'cause I can't go; I owe my soul to the company store... The line from the chorus "another day older and deeper in debt" was a phrase often used by Travis's father, a coal miner himself. This and the line "I owe my soul to the company store" is a reference to the truck system and to debt bondage. Under this system workers were not paid cash; rather they were paid with unexchangeable credit vouchers for goods at the company store (usually referred to as scrip). This made it impossible for workers to store up cash savings. Workers also usually lived in company-owned dormitories or apartment buildings, the rent for which was automatically deducted from their pay. In the U.S. the truck system and associated debt bondage persisted until the strikes of the newly-formed United Mine Workers and affiliated unions forced an end to such practices. The song has been covered by a wide variety of musicians. In 1955 it was recorded by Tennessee Ernie Ford and hit Billboard's Country Music charts in November and held the #1 position for ten weeks, then crossed over and held the #1 position on the pop music charts for eight weeks. Other examples include a rock version released by Eels on their live album "Sixteen Tons (10 Songs)" (2005), a country version released by Johnny Cash on his live album "The Best of Johnny Cash in Concert" (1995), a version with a rock edge by Tom Jones that became a hit in 1967, a blues-rock version recorded in 1972 by CCS, a slow, jazzy version released by Stan Ridgway on the album Anatomy (1999), a #@!&bia version by nuclear polka band Brave Combo, and a traditional roots country version released by Corb Lund on the album Modern Pain (1995). A folk-punk version was also performed by This Bike is a Pipe Bomb. Swedish doom metal band Memento Mori recorded a version of this song as a hidden track on their 1993 debut album Rhymes of Lunacy. The song can be found if the listener allows the CD to remain playing several minutes after the final listed song ends. Serbian hard rock band Riblja Čorba recorded a cover version called "16 noći" (Trans. "16 nights"), which appeared on their 1999 album Nojeva barka. The 1990 rendition of the song by Eric Burdon was used for the memorable opening to the comedy JOE VERSUS THE VOLCANO. The song is also sung in the undersea horror movie LEVANIATHAN. Presidential candidate Dennis Kucinich's rendition of the song on January 8, 2007 received fairly widespread media play on a variety of television stations and on the popular website YouTube. In Russia, Moscow's venue "Sixteen Tons" is named after the song by Merle Travis. "Sixteen Tons" track is a house song and can be heard before each concert held in the club. In Russia this song has been famous since the Soviet times, but in the Platters' version. The song was so influential, that in the USSR several cover versions were made in Russian. In one of the Russian versions the words in the chorus were about US plans to attack the USSR with 16 ton bombs: Sixteen tons, the heavy load Planes are flying to bomb the Soviet Union The planes are flying to the East To bomb a simple soviet village In 2005, General Electric ran a series of ads for its new "clean coal" campaign. With clear disregard for the message of "Sixteen tons," they used it to sell coal and the coal industry.

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nreleased Mixes... Album Tracklist: 1. Offshore (Original Mix) (07:00) 2. Bruised Water (vs. Natasha Bedingfield) (Original Radio Edit) (02:59) 3. No Ordinary Morning (05:09) 4. Don't Give Up (feat. Bryan Adams) (03:30) 5. Spirit (feat. Jewel) (Chicane Rework Mix) (02:58) 6. Halcyon (New 2008 Version) (07:15) 7. Sunstroke (Original Radio Edit) (03:51) 8. Stoned in Love (feat. Tom Jones) (Radio Edit) (03:40) 9. Wake Up (feat. Keane) (06:20) 10. Come Tomorrow (Edit) (03:35) 11. Leaving Town (feat. Salt Tank) (03:54) 12. Daylight (04:21) 13. From Blue to Green (02:40) 14. Love on The Run (Single Edit) (03:38) 15. Locking Down (Dead Guys Mix) (03:06) 16. U R Always (Chicane Rework Mix) (04:40) 17. Saltwater (03:23) 18. Early (04:18) All Material Copyright of Respective Owners: Nicholas Bracegirdle (Chicane) Label: Modena Records Ltd.