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3 Doors Down

"We're not a band that just goes through the motions," says Chris. "We go at everything hard. What I'm most proud of about the new album is we left ourselves a way out. Everybody hit the proverbial brick wall. Everybody fell down and everybody got back up, then we all went back in the room and, what was great, was we found all these different paths to go down."

`Different' being the operative word here. Because what 3 Doors Down did after reconnecting with family, and `soul searching', was opt for a new process to the creative part of their relationship. One that emphasized the undeniable strength of the group. The fact that the sum is greater than any individual part. "It is all about getting in that room and hashing it out," recalls lead guitarist Matt Roberts. "If you look at a song like `Train,' it was one of the first songs we wrote for this album. It's kind of a building block that exemplifies the spirit of collaboration. Brad came with words and a melody and we hammered it out." "I remember I had that one in my head at home," laughs Brad. "I was singing it so much a friend threatened to kill me if I didn't get it down." Matt also remembers it as one of the `most fun songs to put together. "The best moments of this band have always been about keeping it a fun ride. You need that sense of accomplishment, but you also need to keep the process comfortable.". Adds Chris: "I think it's also fair to say we are one of the only `southern' bands who has the balls to put a song like `Train' out there these days."

The band rented an old farmhouse South of Franklin, Tennessee, where they would not only write songs, but live together, for a while. Says Brad: "The farmhouse was great because it became a wholehearted experience where we just focused on the writing. It was such a close-knit atmosphere, reconnecting us after we had been doing our own thing for a while. It set a cool mood for the entire record, writing out in the country around this fireplace in the basement. Just locking ourselves away and doing it."

Matt adds that the unique setting soon sparked 26 or 27 song ideas. "But winter turned colder than expected in Tennessee. So we decided to head to a warmer climate." The band found a ten bedroom mansion in a remote section of Orlando, Florida. They brought in Seventeen Days producer, Johnny K. and turned the house into a recording studio.

The originality of the two locations rejuvenated the band's approach. They worked hard to capture that sense of camaraderie on the final product. Once they nailed it, they packed up and headed back to Nashville. Talking legendary mixer, Andy Wallace, into abandoning his NY studio, again, (he also mixed Seventeen Days in Nashville), and they began the final process of putting the pieces together.

This album features inspired musicianship as well as some intriguing personal refrains, like on one `band favorite,' "Let Me Be Myself." "That one touches on the wrongheaded notion of how we often try destructive methods to try and kill our pain," says Brad. "But I also want the songs to be open to interpretation. More universal. That one is really talking about anything you can get lost in." And the ballad "Pages": "I think it has a lot of meaning for the whole band. What we've gone through," says Matt. "Brad is pointing out what's going on with his personal situation and ours. It was a very meaningful song for us."

The group also nails their share of (in-yer'-face)-rockers like "Runaway." "It's the kind of song you put on only to get somewhere else," says Todd. "Put it on in your car and drive as fast as you can." He and several of the guys also touch on the last song of the album, "She Don't Want The World," one of the most unique 3 Doors Down offerings yet. "That song has really become one of my favorites. It doesn't have a big chorus or anything, just Brad telling a story." Adds Brad: "We even use loops on that one. We were so willing to try different things. I think one of the reasons this is such an important album for us is because every one of us was in a different place prior to any other record we've ever made. And I would say a `better' place. But it's the kind of record that never would have happened if we didn't get off that merry go round for awhile."

For Greg (former Puddle Of Mudd drummer, born in Louisiana, raised in Oklahoma), a song like the gutsy "It's The Only One You've Got," also exemplifies the band's `sixth-sense' for cooperation. A true democracy - right down the line. "Just the way that it went down. Chris was trying to learn another song and stumbled upon the riff for this song. Brad was like `hold on, I've got something for that.' Then someone else would join in. The whole thing happened quickly, and it turned out to be such an inspiring song. This has been the most collaborative experience I've ever been involved in. And the most satisfying."

"We just can't wait to put this sugar out and get back out on the road," agrees Brad. "It's definitely the one where we got our `grit back."

2008-11-18 -- 1/5:: beccaness
I think that its worst cd. Compare to their others works and its flat.

2008-11-02 -- 2/5:: Very disappointing
I've been a fan of 3 Doors Down since their first album "The Better Life". I read the reviews of this release and was expecting another great cd. Unfortunately I was very disappointed. There are a couple of good rockers on this one but overall there are way too many mellow self indulgent tunes. The band has definately matured and grown as people which is great to see. Unfortunately they have lost the fire and real fellinf that made them a great band. They are following in the path of so many bands the come out with such outstanding initial efforts but seem to lose the edge and dynamic but intangible "something different" that made them so appealing. I have read reviews commenting on the improvement in musician ship and it is obvious on songs like Train and Citizen/Soldiers. It does not follow through on the majority of the songs. I've given a brief breakdown below:

Train-good rocking tune, classic 2 Doors Down

Citizen/Soldier-great song with something to say. Best on the cd. Need more like this.

It's Not My Time-ok song-typical top 40 fair-too light & not original-no fire but radio friendly(which does not mean good)

Let Me be Myself-ok tune, redundant top 40 lyrics. Skip after first couple of listens

Pages-better song, actually has something to say, tempo picks-p but they never really cut loose. Brad sings with more feeling than other tunes.

It's The Only One You've Got-another too mellow Top 40 type song (top 40 is not a good thing) Lyrics are good but song doesn't grab you. No fire and feeling doesn't carry over. Another skip after the first few listens

Give It To Me-Good song. Feeling back into the singing. Seems to really sing form the heart. Whole band seems to be involved. Very tight song.

These Days-up & down song that goes from really good to far to light & poppy. Great singing at times but overall far too much of a Top 40 pop song. Once again lacking in real fire or feeling.

Your Arms Feel Like Home-skip over track everytime after first listen. Just another "I'm in love again" song. Every band seems to eventually come out with the same song saying the same thing. Very unorigianal.

Runaway-Very poppy sounding song. OK tune but no edge and nothing special. Filler tune.

When It's Over-Ok tune. One I don't skip but kind of teases and doesn't really deliver.

She Don't Want The World-best slower tune on the cd. More feeling than the rest of the slower songs and great musicianship. A lot of tricks musically but they blend with and make the song unlike previous songs that start with some tricks and then don't deliver.

There are a grand total of four out of tewlve songs I skip over everytime I listen to this cd. Another two or three are only ok to listen to. So basically they have six out of tewlve songs that show how good this band could be. I would give this cd a 2.5 rating if I was able since only 50% is worth hearing more thaan once or twice. Since I can't do the 2.5 I lean toward a 2 instead of 3 stars.

2008-10-12 -- 5/5:: Amazing!
The best way I can think of to describe the new album is classic 3 Doors Down with a new twist. That's one of my favorite things about this band is that you can see them grow as artists from one album to the next without detracting from they're previous work.

That being said, 3DD is by far my favorite of theirs so far. With other CDs, you have the singles and then you'll pick out a couple songs you like that were never released and then the rest are just fillers; with 3DD every one is amazing.

It starts off with a bang with 'Train', which is a bit more aggressive than the rest but sets the mood perfectly.
Next is 'Citizen/Soldier' which I actually liked but the version on the album is downsized from the original and they cut out my favorite part of the song.
'It's Not My Time' by now everyone's heard this one. Great lyrics.
'Let Me Be Myself' Very vunerable song. Loved the melody but I like it better acoustic.
'Pages' is probably my favorite song from this album.
'It's the Only One You've Got' I hate and love this song because it really hits home.
'Give it to me' another favorite, great guitar.
'These Days' to me, this one was really emotional. I could tell it meant something to them.
'Your arms feel like home' every album needs a ballad.
'Runaway' Great driving song. More upbeat.
'When It's Over' Again, another one that sounded like they meant every word.
'She Don't Want the World' Artistically, this is probably the best one. I've read a lot about people thinking it's a sad song and a depressing end to the album but if you really listen to the lyrics at the end it's not. It's just him telling a story but Brad really makes you feel with this one. It's probably one of those you either love it or hate it songs.

2008-10-01 -- 4/5:: lovely listening
A fairly mellow CD in my opinion, but it always makes me feel happy and content, and a few of the songs make me want to hit "repeat" again and again and again!

2008-09-26 -- 5/5:: Great guys; great music
Maturity and growth show through for these southern rockers. Truly nice guys with heart. What a difference from so many other rock bands!

The Doors Videos

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ith all but one track appearing on disc one with the remaining track on disc two) and Alive, She Cried. The three remaining tracks come from An American Prayer, Live At The Hollywood Bowl and one previously unreleased.

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From Absolutely Live album! Let's roll!

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"Roadhouse Blues" - 6:13 (New York Felt Forum 1st show 1/17/70 & Detroit Cobo Arena 5/08/70 & End Dialogue Boston Arena 2nd Show 4/10/70) In Concert is a live double album, recorded by The Doors. The album's performances is culled from a variety of dif

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The Doors - Who Do You Love


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cks from Absolutely Live (with all but one track appearing on disc one with the remaining track on disc two) and Alive, She Cried. The three remaining tracks come from An American Prayer, Live At The Hollywood Bowl and one previously unreleased.

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The Doors - Love Me Two Times


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solutely Live (with all but one track appearing on disc one with the remaining track on disc two) and Alive, She Cried. The three remaining tracks come from An American Prayer, Live At The Hollywood Bowl and one previously unreleased.

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ssic of Chicago blues. In southern culture, the phrase "back-door man" refers to a man having an affair with a married woman, using the back door as an exit before the husband comes home. "When everybody trying to sleep, I'm somewhere making my midnight creep. / Every morning the rooster crow, something tell me I got to go / I am a back door man", Wolf sings. The promiscuous "back-door man" is a standard theme found in many blues, including those by Charley Patton, Lightnin' Hopkins, Blind Willie McTell and Sara Martin; "every sensible woman got a back-door man," Martin wrote in "Strange Loving Blues" (1925). Robert Plant references the Dixon song in Led Zeppelin's "Whole Lotta Love" (1969): "Shake for me girl, I want to be your back-door man." The phrase "back-door man" dates from the 1920s, but the term became a double entendre in the 1960s, also meaning "one who practices anal intercourse." The song became an early standard cover song of The Doors, along with Dixon's songs "Little Red Rooster" and "Close to You". The Doors recorded it for their debut album, The Doors. The "door" of the song, like the name of the band, suggests a Blakean symbol of perception, with an awareness of the 1960s Queer-culture double entendre giving the expression an additional layer of meaning. The Doors' drummer John Densmore described the song as "deeply sexual and got everyone moving." The song also appears on The Doors' live album Absolutely Live (1970). Lyrics: Wha, yeah!, C'mon, yeah, Yeah, c'mon, yeah Yeah, c'mon, Oh, yeah, ma Yeah, I'm a back door man, I'm a back door man The men don't know, But the little girl understand Hey, all you people that tryin' to sleep I'm out to make it with my midnight dream, yeah 'Cause I'm a back door man, The men don't know But the little girls understand, All right, yeah You men eat your dinner, Eat your pork and beans I eat more chicken, Than any man ever seen, yeah, yeah I'm a back door man, wha, The men don't know But the little girl understand Well, I'm a back door man I'm a back door man Whoa, baby, I'm a back door man The men don't know But the little girls understand

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om Absolutely Live (with all but one track appearing on disc one with the remaining track on disc two) and Alive, She Cried. The three remaining tracks come from An American Prayer, Live At The Hollywood Bowl and one previously unreleased.

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the tracks from Absolutely Live (with all but one track appearing on disc one with the remaining track on disc two) and Alive, She Cried. The three remaining tracks come from An American Prayer, Live At The Hollywood Bowl and one previously unreleased.

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ncert includes all the tracks from Absolutely Live (with all but one track appearing on disc one with the remaining track on disc two) and Alive, She Cried. The three remaining tracks come from An American Prayer, Live At The Hollywood Bowl and one previously unreleased.

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s from Absolutely Live (with all but one track appearing on disc one with the remaining track on disc two) and Alive, She Cried. The three remaining tracks come from An American Prayer, Live At The Hollywood Bowl and one previously unreleased.

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m Absolutely Live (with all but one track appearing on disc one with the remaining track on disc two) and Alive, She Cried. The three remaining tracks come from An American Prayer, Live At The Hollywood Bowl and one previously unreleased.

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Views: 646

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s from Absolutely Live (with all but one track appearing on disc one with the remaining track on disc two) and Alive, She Cried. The three remaining tracks come from An American Prayer, Live At The Hollywood Bowl and one previously unreleased.

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The Doors

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The Doors: Back Door Man/Love Hides, Live In Philadelphia 1970


Views: 1646

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"Back Door Man" written by Willie Dixon & Chester Burnett and "Love Hides" written by The Doors. The infamous Miami incident of March 1969 created sufficient controversy to cut short the remainder of that tour. The Doors played a date or two to round o

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ut the year, but it wasn't until 1970 that they recovered their momentum. The outstanding Morrison Hotel album was in stores, and the band was riding high on a wave of potent synergy. They kicked off the new tour in Boston on April 10th. May 1st found them at the Spectrum in Philadelphia, a venue that had a reputation for unruliness. Ray Manzarek recalls the atmosphere that night in the liner notes to this release: We couldn't even begin to play until all the people were in their seats. They were all jammed up at the front—anticipating Morrison, Densmore, Krieger and Manzarek—but we couldn't take the stage until they went back to their seats and listened in an orderly fashion. Only then would the Fire Marshal allow the show to continue. His whole trip was: You have to clear the aisles. What if there's a fire? Well, the place was made of metal and concrete; what was going to burn, except for The Doors' music? So we waited until the Fire Marshal gave the OK to the MC, who said, 'Ladies and gentlemen, from Los Angeles, California, The Doors.' Immediately, everyone who'd been made to sit down stood right back up. But by then it was too late. We just burned and jammed and played our music with the whole place rushing up to the stage. Several shows on the 1970 tour were recorded on multi-track for the Absolutely Live album, and the attention to detail exhibited by engineer Bruce Botnick and his team resulted in superior sound quality both in the arena and on tape. Bruce also mixed and mastered this release, a true monument to the live Doors experience. http://www.brightmidnightarchives.com/ Jim Morrison: vocals Ray Manzarek: organ, piano, bass Robby Krieger: guitar John Densmore: drums

The Doors

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The Doors: Universal Mind - Someday Soon, Live In Pittsburgh 1970


Views: 1041

The Doors The Doors: Universal Mind - Someday Soon, Live In Pittsburgh 1970
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ed on May 2, 1970 at the Pittsburgh Civic Arena, LIVE IN PITTSBURGH 1970 captures an epic performance from the legendary quartet. As the title of a rare dialogue section from the album states, Tonight You're In For A Special Treat. The single-disc performance presents over an hour of incendiary and soulful live music from the late Jim Morrison and surviving Doors John Densmore, Robby Krieger and Ray Manzarek. Highlights include a 22-minute plus version of When The Music's Over, during which Morrison improvises with the musical dialogue and leads the band into bits of songs they'd never played live before. Also featured are Doors classics including Break On Through, Five To One, and an extended, tracklist-closing version of Light My Fire, plus takes on Robert Johnson's Crossroad Blues, Howlin' Wolf's Back Door Man and Willie Dixon's Close To You (with Manzarek on lead vocal and Morrison on backup). LIVE IN PITTSBURGH 1970 was mixed and mastered by The Doors' longtime engineer/producer Bruce Botnick, who recorded several concerts from the band's now-historic 1970 tour on multitrack tape for the Absolutely Live album('70). The concert would have been released sooner save for two small missing sections from the original 8-track masters. Instead of allowing that to prevent the release of this show, the band decided to insert the missing snippets from one of the other 1970 concerts, a process facilitated by Botnick's expertise and familiarity with the tapes. A companion piece to 2007's 3-CD set Live In Boston-also recorded on the '70 tour-the release continues Rhino's upgrade and expansion of The Doors' catalog that began in honor of the 40th anniversary of their self-titled 1967 debut album, which Rolling Stone has called, a stoned, immaculate classic. http://www.brightmidnightarchives.com/ Jim Morrison: vocals Ray Manzarek: organ, piano, bass Robby Krieger: guitar John Densmore: drums

The Doors

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The Doors: Mystery Train/Away In India/Crossroads, (Part2/2) Live In Philadelphia 1970


Views: 652

The Doors The Doors: Mystery Train/Away In India/Crossroads, (Part2/2) Live In Philadelphia 1970
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The Doors performing Mystery Train/Away In India/Crossroads medley, also called Black Train Song live in Philadelphia 1970. The first part of this video has the song Mystery Train. Watch it here: http://www.youtube.com/watch?v=LRbObhs2lr4 The infamous

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Miami incident of March 1969 created sufficient controversy to cut short the remainder of that tour. The Doors played a date or two to round out the year, but it wasn't until 1970 that they recovered their momentum. The outstanding Morrison Hotel album was in stores, and the band was riding high on a wave of potent synergy. They kicked off the new tour in Boston on April 10th. May 1st found them at the Spectrum in Philadelphia, a venue that had a reputation for unruliness. Ray Manzarek recalls the atmosphere that night in the liner notes to this release: We couldn't even begin to play until all the people were in their seats. They were all jammed up at the front—anticipating Morrison, Densmore, Krieger and Manzarek—but we couldn't take the stage until they went back to their seats and listened in an orderly fashion. Only then would the Fire Marshal allow the show to continue. His whole trip was: You have to clear the aisles. What if there's a fire? Well, the place was made of metal and concrete; what was going to burn, except for The Doors' music? So we waited until the Fire Marshal gave the OK to the MC, who said, 'Ladies and gentlemen, from Los Angeles, California, The Doors.' Immediately, everyone who'd been made to sit down stood right back up. But by then it was too late. We just burned and jammed and played our music with the whole place rushing up to the stage. Several shows on the 1970 tour were recorded on multi-track for the Absolutely Live album, and the attention to detail exhibited by engineer Bruce Botnick and his team resulted in superior sound quality both in the arena and on tape. Bruce also mixed and mastered this release, a true monument to the live Doors experience. http://www.brightmidnightarchives.com/ Jim Morrison: vocals Ray Manzarek: organ, piano, bass Robby Krieger: guitar John Densmore: drums

Absolutely Live1) House Announcer2) Who Do You Love Medley3) Medley Backdoor Man4) Medley Love Hides5) Medley Five To One6) Medley - Five To One7) Build Me A Woman8) When The Musics Over9) Close To You10) Universal Mind11) Petition The Lord With Prayer Medley12) Medley Break On Through 213) The Celebration of the Lizard Lions In The Street14) The Celebration of the Lizard Wake Up15) Wake Up16) The Celebration of the Lizard The Hill Dwellers17) The Hill Dwellers18) The Celebration of the Lizard Names Of The Kingdom19) The Celebration of the Lizard The Palace Of Exile20) The Palace Of Exile20) Soul Kitchen20) Celebration Of The Lizard - The Palace Of Exile19) Names Of The Kingdom19) Celebration Of The Lizard - Names Of The Kingdom18) Not To Touch The Earth18) Celebration Of The Lizard - Not To Touch The Earth17) The Celebration of the Lizard Not To Touch The Earth17) Celebration Of The Lizard - The Hill Dwellers16) Celebration Of The Lizard - A Little Game16) A Little Game15) The Celebration of the Lizard A Little Game15) Celebration Of The Lizard - Wake Up14) Lions In The Street14) Celebration Of The Lizard - Lions In The Street13) Medley - Break On Through 213) Break On Through 2 Celebration Of The Lizard13) Break On Through 212) Medley - Dead Cats Dead Rats12) Dead Cats Dead Rats11) Petition The Lord With Prayer11) Medley Dead Cats Dead Rats8) The Celebration Of The Lizard7) Break On True 26) Five To One5) Medley - Love Hides5) Love Hides4) Medley - Backdoor Man4) Backdoor Man4) Back Door Man3) Medley - Alabama Song3) Alabama Song Whiskey Bar3) Alabama Song2) Who Do You Love2) Medley Alabama Song2) MedleyAbsolutely Live1) House Announcer2) Who do you love3) Alabama song4) Backdoor man5) Love hides6) Five to one7) Build me a woman8) When the musics over9) Soul Kitchen10) Universal mind11) Petition the Lord with prayer12) Dead cats dead rats13) Break on through 2 Celebration of the lizard14) Lions in the street15) Wake up16) A little game17) The hill dwellers18) Not to Touch the Earth19) The palace of exile18) Names of the kingdom13) Break On Through 29) Close to you8) The Celebration Of The Lizard7) Break On Thru 13170 sto206 Hits of the Doors1970-08-29 - Isle of Wight Festival England80 Minutes of the Greatest Doors HitsA FILM BY OLIVER STONEA TRIBUTE PERFORMED BY HEAVY FUEL - CD2A tribute Studio 99Absolutely Live VinylAlabama SongAliveAlive She CriedAlive She CriedAmerican PrayerAmerican prayerAmerican PrayerAn American PrayerAn American Prayer Jim Morrisonan Oliver Stone FilmAn Oliver Stone Film - The DoorsApocalypse NowAwakeBackstage And Dangerous The Private RehearsalBackstage And Dangerous The Private Rehearsal Cd 2Backstage and Dangerous The Private Rehersal 1Backstage and Dangerous The Private Rehersal 2Best OfBest Of - 1 of 2Best Of - 2 of 2Best of - 2 of 2Best Of Disc TwoBest of The DoorsBest of The Doors CD 2Best Of The Doors [2000 Double Disc 1]Best Of The Doors [2000 Double Disc 2]Best Of Vol. 2Bestseller 2000 BootlegBlues Before Sunrise The Black Angels Death SongBonus Almub 2 in 1Boot Yer Butt 2Boot Yer Butt 3Boot Yer Butt 4Box Set - Cd 2 - Live In New YorkBox set - part 1Box Set -2- Live in New YorkBox Set Band Favorites Disc 4Box Set CD4 - Band FavouritesBox Set Disc 1 - Without A Safety NetBox Set Disc 2 - Live In New YorkBox Set Disc 3 - The Future Aint What It Used To BBox Set Disc 3 - The Future Aint What It Used To BeBox Set Disc 4 - Band FavoritesBox Set Live In New York Disc 2Box Set The Future Aint What It Used To Be DiscBox Set Without A Safety Net Disc 1BOX1 WITHOUT A SAFETY NETBreak On ThroughBright Midnight - Live In AmericaBright Midnight Live In AmericaBuild Me A Woman Live At The Felt Forum New YorkBuild Me a Woman- New York 1970Burn Down The NightCanadian NightCelebrationCentral Park New York-Aug. 21 1972CollectionCollection 2000Complete Studio Recordings - Essential RaritiesComplete Studio Recordings Disc 1Destroyer in Detroit 5-8-70 cd 2Detroit - July 8th 1970 cd1Detroit - July 8th 1970 cd2dfhDoors Greatest HitsDoors Live 03-07-1967 Disc 2Doors Live 03-07-1967 Disc 3Doors Live 03-07-1967 Disc 1Essential RaritiesEssential Rarities The Best Of The 97 Box SetEyes of DarknessFelt Forum NY 1-17-70 Late showFelt Forum NY 1-18-70 early showFirst flash of Eden - Isle of Wight sept 28 1967ForeverFreedom Man - The Doors in 1970 - CD2From the Inside Live and UnreleasedFull CircleFurther Adventures With The Mojo WireGhost SOngs on Dawns HighwayGo Insane Live - 2 CD-Box - CD 1Go Insane Live - 2 CD-Box - CD 2Go insane Vol. 2GoldGolden AgeGolden Collection 2000Golden Rock Classics 1Grand CollectionGreatest Golden HitsGreatest HitsGreatest HitsGreatest HitsGreatest HitsGreatest Hits 3Greatest Hits and moreGreatest Hits LiveGreatest Hits Volume 2Greatest Hits Volume 3Hit Collection 2000HitsIn ConcertIn Concert - CD1In Concert Cd1In Concert CD2In Concert Disc 1In Concert Disc 2In Concert Disc 2In Concert disc 2 of 2In Concert Disc OneIn Concert Disc TwoIn Concert Disk TwoIndian SpiritInterview DiscIs everybody in - CD 1Is everybody in - CD 2Isle Of Wight FestivalJim Morrison - An American PrayerJim Morrisons DoorsJustins HitsKeep The Fire AliveKeeping The Fire AliveKing Arthurs Court CD1L. A. WomanL.A. WomanL.A. WomanL.A. Woman AC3 - DTSL.A. Woman RemasteredL.A. Woman Remastered 2003L.A.WomanL.A.WomanLegacy the Absolute Best - Disc 2Legacy The Absolute Best Disc 1Legacy The Absolute Best Disc 2Legend seriesLegendary Master PiecesLiberationLight my fireLight My FireLight My FireLight My FireLight my fire CD2Light my fire CompilationLight My Fire Remastered 1988Light My Fire SingleLiveLive - UnauthorisedLive 07-03-1967 CD1Live 07-03-1967 CD2Live 10-03-1967 CD2Live at King Arthurs Court - Vol.2Live at the Aquarius Theatre - Second Performance Disc 2Live at the Aquarius Theatre - The Second PerformanLive At The Aquarius Theatre The First Performance DiscLive at the Aquarius Theatre the Second PerformanceLive at the Aquarius Theatre the Second Performance disc 1Live at the Aquarius Theatre the Second Performance disc 2Live At The Hollywood BowlLive at the Hollywood Bowl - 1968-07-05 FLAClive at the isle of whiteLive at the MatrixLive At The Matrix 1967 BootlegLive at the Matrix in Los Angeles in March 1967Live At VancouverLive CollectionLive In Boston 1970 - CD 2Live In Boston 1970 - Disc 1 of 3 First ShowLive In Boston 1970 - Disc 2 of 3 Second ShowLive In Boston 1970 - Disc 3 of 3 Second Show ContLive in DetroitLive in Detroit [Disc 2]Live in Detroit 1970Live In Detroit disc 1Live in Detroit Disc 2Live In Europe Disc 1 Chalk FarmLive In HollywoodLive In Los AngelesLive in MiamiLive In New YorkLIVE IN PHILADELPHIA70 DISC 1LIVE IN PHILADELPHIA70 DISC 2Live In Seattle June 5th 1970Live In Stockholm 1968Live In Stockholm 1968 Disc2Live In Stockholm 1968 GE Bootleg Disc 2Live In Stockholm 68Live in VancouverLive Recordings Vol 2Live USALizard King live in Seattle 5.6.70Lizard Kings BackLong Beach Arena CA2-2-70Long Beach CA 2-2-70 Isle of Wight 8-29-70Love Me Tender - Doors Studio Session 1969love me tender the doors studio sessionsLove Me Two TimesLove Me Two Times CD2Lucifer RisingMissing TapesMissing Tapes Rock Is Dead Jam SessionMore Missing LinksMorrisonMorrison HotelMorrison HotelMorrison HotelMorrison Hotel Waiting for the SunMorrison Hotel 40th Anniversary MixesMorrison Hotel and The Soft ParadeMr. Mojo Risin Again - The Live Performance 93 AnMTV History CD 1MTV History CD 2My Personal FavouritesMystic ManMystical BluesNew York 1970New York Bluesno limits doorsObjects Of DesireOn Stage - When The Musics OverOpening The Doors Of PerceptionOrange County SuiteOther VoicesOther Voices 1971 LP TransferPerception Box Set - Disc 1Perception Box Set - Disc 2Perception Box Set - Disc 3Perception Box Set - Disc 4Perception Box Set - Disc 6Perception Disc 1Perception Disc 1 - The DoorsPerception Disc 2 - Strange DaysPerception Disc 3 - Waiting For The SunPerception Disc 4 - The Soft ParadePerception Disc 5 - Morrison HotelPerception Disc 6 - L.A. WomanPerception samplerPlatinum HitsPopular Big HitsRarered walls blue doorsRemarster Disk2Remasters Disk1Replica BluesRiders On The StormRides On The StormRiot Show Live 05-07-1969Romantic CollectionScandinavian PrayerScattered SunSeanceSet The Night On FireShatteredSneaking Out The Backdoor - Disc 1Sneaking Out The Backdoor - Disc 7Someday SoonSoul In The MirrorStages 1967-1968 Disc 2Stages 1968-1969 Disc 3Stages 1969-1970 Disc 4Star CollectionStar-collectionStoned Immaculate - The Music Of The DoorsStrange DaysStrange DaysStrange Days Perception Box SetStrange Days The Best of the DoorsStrange Days Waiting For The SunStudio DazeStudio outtakes 1966-1971Summers almost goneSuper Stars Best CollectionSuperDoorsT.V. EyeThe Beautiful Die YoungThe Best - CD1The Best OfThe best of - Vol. 1The Best Of - Vol. 2The best of - Vol. 3The Best Of CD2The Best of DoorsThe best of Doors-Collectors seriesThe Best Of DTSThe Best Of The DoorsThe Best of The DoorsThe best of the DoorsThe Best Of The DoorsThe Best of The Doors - Disc One of TwoThe Best Of The Doors - CD 01The Best Of The Doors - CD 1The Best Of The Doors - CD2The Best Of The Doors - Disc 02The Best Of The Doors - Disc 1The Best of The Doors - Disc One of TwoThe Best of The Doors - Disc Two of TwoThe Best Of The Doors - Disc1The Best Of The Doors - Disc2The Best Of The Doors - Disc2The Best Of The Doors 1The Best Of The Doors CD1The Best Of The Doors CD2The Best Of The Doors Disc 1The Best Of The Doors Disc 2The Best Of The Doors Disc 2The Best Of The Doors Disc 2The Best Of The Doors IIThe Best of The Doors_-_02The celebration of the lizardThe Ceremony ContinuesThe Complete Matrix TapesThe Complete Matrix Tapes Vol.1The Complete Matrix Tapes Vol.2The Complete Matrix Tapes Vol.3The DoorsThe DoorsThe DoorsThe DoorsThe Doors Waiting for the SunThe Doors - CD2The Doors - Greatest HitsThe Doors - Music From The Original Motion PictureThe Doors - The BestThe Doors [40th Anniversary Mixes]The Doors Best OfThe Doors Best OfThe Doors Box Set - Disc Four - Band FavoritesThe Doors Box Set Disc 4 - Band FavoritesThe Doors CD2The Doors Complete Classics Cover 1967-1970 Disc 3The Doors Complete Classics Live 1967-1968 DiscThe Doors Complete Classics Live 1970 Disc 2The Doors Complete Outtakes Disc 4The Doors Dallas 1968The Doors Greatest HitsTHE DOORS I IIThe Doors Japanese Target PressingThe Doors LiveThe Doors Live at the Hollywood BowlThe Doors Original Soundtrack Recording SOUNDTRACKThe Doors Personal ColectionThe Doors Show BizzThe Doors+ The Doors Strange DaysThe DoorsJapanThe Future Is MurderThe Greatest HitsThe Greatest Hits CD 1The Greatest Hits CD 2The Killer awokeThe Lizard KingThe Lizard King - Bootleg - Live In Canada 1970 Part OneThe Lizard King Vol 2The Lizard King Vol 4The Look Behind Collection CD 1 Light My FireThe Look Behind Collection Greatest Hits 3The Matrix Tapes - CD2