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I Ain't Gonna Be Worried No More 1929-1941

2004-09-07 -- 5/5:: The Real Thing
Great stuff... I was so thrilled to hear the original versions of two songs (Someday Baby Blues and Floatin' Bridge) that I've been playing for the last zillion years, I just couldn't stop listening for a whole day. To tell the truth, when I first listened to Eric Clapton's version of Floatin' Bridge, I had thought that it had something to do with the floating bridge of an arch-top acoustic of hollow-body electric guitar!

In any case, the vocals are strong, the guitar is great and the recording (or remastering) quality is even better. Well, that is, it is much better than some remasters that I have listened to. The "less is more" approach of Estes once again proves that you don't have to perform left-hand acrobatics on the neck to play the blues. On the contrary, the sound always comes first, one note could do much more to bring tears to your eyes rather than 64 1/64 notes crammed into a second.

If you like acoustic blues, this is definitely a must for your shelf.

2004-01-25 -- 5/5:: Magnificent Tennessee blues
Bringing together 23 songs recorded between 1929 an 1941, "I Ain't Gonna Be Worried No More" is as close to a definitive retrospective of Sleepy John Estes's music as possible. Virtually all of his best songs are here, varied, inventive tunes featuring pseudo-autobiographical lyrics loaded with evocative imagery.

The period covered by this CD was John Adams Estes' best and most creative, cathing him at the height of his considerable powers. He usually recorded with a jug band, which gave his music a great variety of textures...mandolin player James "Yank" Rachell and harpist Hammie Nixon are prominent on most of these songs, and Estes is occationally backed by piano and second guitar as well.

Big Bill Broonzy called Estes' singing style "crying" because of his emotional delivery and light tenor voice, but there is nothing morose or self-pitying about John Estes' music. It swings with a loose, relaxed feel that isn't heard on many prewar blues records, and it is some of the most melodic acoustic blues you'll ever hear.
"I Ain't Gonna Be Worried No More" contains all-time classic blues tunes like "The Girl I Love, She Got Long Curly Hair", "Someday Baby Blues", and "Diving Duck Blues", as well as the title track, "Every Ought To Make A Change", "Drop Down Mama", "Clean Up At Home", and the frighteningly realistic "Floating Bridge".
Acoustic country blues doesn't get any better than this.

1999-12-13 -- 5/5:: Country Blues String Band Style
It's not often that you get to hear old blues artists within a band setting. Usually it's just one guy and his acoustic guitar. What sets Mr. Estes' blues apart is the inclusion of mandolin, harmonica, fiddle, and occasional piano. His own guitar picking and his, dare I say, cute voice, make this CD irresistable. The music is catchy and the thoughtful lyrics are easily decipherable. As far as I'm concerned, no blues collection is complete without this CD.

Sleepy John Estes Videos

Sleepy John Estes

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Brownsville Blues -- Gordon Bonham and Jim Richter


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Sleepy John Estes Brownsville Blues -- Gordon Bonham and Jim Richter
Sleepy John Estes Brownsville Blues -- Gordon Bonham and Jim Richter
Sleepy John Estes Brownsville Blues -- Gordon Bonham and Jim Richter

Old Sleepy John Estes and Yank Rachell tune

Sleepy John Estes

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Yank Rachell Tribute CD now released -- Please Watch!


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Sleepy John Estes Yank Rachell Tribute CD now released -- Please Watch!
Sleepy John Estes Yank Rachell Tribute CD now released -- Please Watch!
Sleepy John Estes Yank Rachell Tribute CD now released -- Please Watch!

Buy the CD at http://www.yankrachell.com All proceeds go to benefit Yank Rachell's surviving family. Performers on the recording include David Grisman, John Sebastian, Tim O'Brien, Mike Seeger, Rich DelGrosso, Andra Faye, David Grier, Pete Rowan, Cu

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rtis Buckhannon, Jim Richter, Yank Rachell's daughters May Nell & Willia B. and granddaughter Sheena, and many others. A quote from David Evans of The University of Memphis sums up the importance of Yank Rachell in the musical world. "There can be little doubt about the importance of James "Yank" Rachell in the history of the blues. He is one of only two major blues mandolinists and the only one to carry that instrument to any degree into the blues revival scene from the 1960's onward." Track listing, in order, and notes by producer Mike Butler: TEXAS TONY: Tim O'Brien-mandolin & vocals (recorded @ House of David Studio, Nashville, TN. Tim appears courtesy of Howdy Skies Records) http://www.timobrien.net; David Grier-guitar, http://www.davidgrier.com; Jake Hopping - Producer & clawhammer banjo; Richard McLaurin -Recording Engineer. SHOTGUN BLUES: Rich DelGrosso-mandolin & vocals, http://www.mandolinblues.com; Ernie Scarbrough-bass & keyboards; David Kida-drums. SHE CAUGHT THE KATY: Karen Irwin-vocals, http://www.karenoke.com; Craig Peterson-sax; Scott Ballantine-guitar; Craig "Redman"Smith-drums; Jerome Mills-bass; Guy Vreeman-Hammond B3. MOONSHINE WHISKEY: Jerome Mills-vocals & bass; David Clawson-drums; Scott Ballantine-guitar; Wes Beam-harmonica; Mike Butler-Yank's Harmony mandolin. SEBASTIAN SPEAKS: John Sebastian, http://www.johnbsebastian.com. John tells how he met and jammed with Yank, the story is priceless. TAPPIN' THAT THING: John Sebastian-vocals & guitar; David Grisman-mandolin; http://www.dawgnet.com. MY BABY'S GONE: Andra Faye-vocals, mandolin & upright bass; http://www.uppityblueswomen.com, http://www.andrafaye.com. SITTING ON TOP OF THE WORLD: (trad.) "Panama" (Peter Rowan) -guitar & vocals; http://www.peterrowan.com; and "Banana" (Lowell Levinger) - National steelbody mandolin; DIVIN' DUCK: Greg Ashby-vocals; Jason Brolin-guitar; Dan Holmes-piano; Alan Stratyner-harmonica; Tim Messersmith-bass; Tim Duffy-drums; Mike Butler- Schwab electric 5-string mandolin. DEEP ELAM BLUES: (trad.) Mike Seeger-played in F on Vega bandurria, a "cylinder-back" mandola-shaped instrument with five pairs of strings; MY MIND GOT BAD: Karen Irwin-vocals; Scott Ballantine-acoustic guitar. BLUESY LITTLE TUNE: Words & Music by Stanley Smith/Stanley Smith Music ASCAP; Stanley Smith-vocals & guitar; Robbie Gjersoe-mandolin; David Hamburger-slide guitar; Ryan Gould-upright bass; Stephen Doster-guitar & Producer; Recorded by James Stevens @ E.A.R. Studio, Austin, TX. DEPRESSION BLUES: Steve Brown-vocals & guitar; Allen Statyner-harmonica; Tim Duffy-drums; Tim Messersmith-bass; Dan Holmes-piano; Mike Butler-Yank's Harmony mandolin. GONNA GET UP IN THE MORNING: Dennis Buckhannon-guitar; Curtis Buckhannon-mandolin; Les Lewis-National guitar; Judy Waters-washboard; Dave Landreth-banjo-uke; Rush McAllister, clogger and producer. LET ME TANGLE IN YOUR POTATO VINES: Orville Johnson-vocals & all instruments, http://www.orvillejohnson.com. BROWNSVILLE BLUES: Written by Sleepy John Estes; Jim Richter-Kimble mandolin; http://www.jimrichter.com; Gordon Bonham-Vocals & Martin guitar; http://www.gordonbonham.com; Engineered by Gordon Bonham; Mixed and Produced by Jim Richter. SEEMS LIKE A DREAM: Bert Deivert-Gibson 1919 A-3 mandolin & vocals, http://www.deivert.com; Janne Zander-Amistar Crossroads resonator guitar, backing vocals; Dan Magnusson-drums; Mats Qwarfordt-harmonica; (Recorded & mixed by Bert Deivert & Gunnar Backman-Brakophonic Studio). WADIE GREEN: Curtis Tipton-vocals; Daryl Jones-guitar; Dan Holmes-piano; Tim Messersmith-acoustic bass; Tim Duffy-drums; Allen Stratyner-harmonica; Mike Butler-Yank's Harmony mandolin. LAKE MICHIGAN BLUES: Sheena Rachell-vocals; Craig "Redman" Smith-drums; Al Stone-bass; Guy Vreeman-Hammond B3; Jim Lynch-slide guitar; Mike Butler-Schwab electric 5-string slide mandolin. CIGARETTE BLUES: Jean-Louis Mahjun-vocals & all instruments (includes programmed bass, drums & accordion), http://Mahjun.free.fr. Mahjun appears courtesy Last Call Records, FREEDOM: (trad.) Yank's favorite gospel song recorded by daughters May Nell & Willia B. and granddaughter, Sheena: May Nell-lead vocal; Willia B.-backing alto vocals; Sheena Rachell-backing soprano vocals.



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