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Electric Arguments

Paul McCartney's 2008 album with producer Youth. Each track written,recorded and sung in the space of one day with Paul McCartney, playing all instruments. 'The album's opener is classic rock and an instant attention grabber. A heavy guitar riff with loud drums and souring vocals, it's like nothing The Fireman have ever done before.' The Fireman are back after a ten-year break. Electric Arguments is their third and brand new studio album and it's not the album people might expect from the mysterious duo.'

2008-12-01 -- 5/5:: Really wonderful....
The more I listen to it, the more I like it. It's such a fresh sound from a man who's help define what "sound" is, so I don't know what more we could want. "Highway" rocks harder than any of his recent rockers, "Sun is Shining" just melts beautifully. Melodies just burrow themselves inside your brain and you can't help but hum them throughout the day, even if your initial opinion is unfavorable. I wrote it off thinking, "If it doesn't say Paul McCartney on the cover, it must be his lesser stuff." So wrong. Electric Arguments is one of his best.

2008-12-01 -- 4/5:: Experimental and Exciting, ranging from Good to GREAT
The best tracks on this new album make it worth the cost. Listening to it front-to-back, I heard echoes of many stages of Macca's career, from Revolver, through Sgt. Pepper psychedelia and White Album experimentalism, into some of his best singles work post-Beatles.
If you enjoy Paul McCartney for more than bubble-gum pop, and most people do, you'll enjoy this surprisingly different album. If you are looking for a syrupy pop record, avoid this one. Macca just keeps pushing the envelope of his musical instincts, and the resulting successes are breathtaking while even the misses are pretty darn good.
A very enjoyable listen.

2008-12-01 -- 5/5:: A Masterpiece from 'The Master'
There is no question this album is one of McCartney's most unique. However, it finds him up to some of his usual tricks: Backwards masking and messages, unusual instruments, clever harmonies, brilliant melodies, wicked bass & guitar work, and all the elements that made his contribution to the Beatles so powerful. Listen to this album with headsets on and marvel at the creativity in the production and all of the unique elements going on in the mix. There are sound effects and wildly bizzare elements going on all over the place. What makes McCartney such a brilliant composer is that he paints his portrait with his music... Melodies flow from him like a waterfall and those who know what it takes to make a good record are left wondering how one man could have accomplished such a large body of work in one lifetime. This is a must have album for all Macca fans...or those looking to hear something different that changes from song to song and sounds like nothing you've ever heard before. Prepare to be shocked...in a very good way.

2008-11-29 -- 1/5:: The Emperor's New Clothes
I have defended Paul McCartney against all critics for years but this time he has lost me. Apart from a couple of "not too bad" tracks, this album is the greatest load of codswallop I've ever heard. I have played it once and will never play it again. Even Homer nods!!

2008-11-28 -- 5/5:: Alter Ego
Is this Paul McCartney trying to not sound like Paul McCartney? Or is this Paul McCartney's alter ego? Either way, it's Paul McCartney sounding fresh, alive, and better than ever. A departure from the two previous Fireman CDs and quite different from his last two, yet fabulous, solo releases. I say buy it.

Paul McCartney Videos

Paul McCartney

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The Beatles - Revolution 9


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Paul McCartney The Beatles - Revolution 9
Paul McCartney The Beatles - Revolution 9
Paul McCartney The Beatles - Revolution 9

The Beatles - Revolution 9 High Quality: http://www.youtube.com/watch?v=M1G9wLGit4k&&fmt=18 Copyight - 1968 EMI Records Ltd. REVOLUTION 9: MINUTE BY MINUTE: http://users.tinyonline.co.uk/ian.simpson/ian.simpson/rev%209%20minutes.htm "Revolution

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9" or sometimes "Revolution #9" is a song (technically an audio collage) which appeared on The Beatles' 1968 self-titled LP release (also known as the White Album). The recording began as an extended ending to the album version of "Revolution", to which were added vocal and music sound clips, tape loops, and sound effects influenced by the musique concrète styles of Karlheinz Stockhausen, Edgard Varèse, Luigi Nono, and John Cage, further manipulated with editing and sound modification techniques (stereo panning and fading). At over eight minutes, it is the longest track on the album, as well as the longest Beatles track ever officially released. The work is credited to Lennon/McCartney (as were most Beatles songs written by either composer), though it was primarily the effort of John Lennon. George Harrison, Ringo Starr, and Yoko Ono made small contributions, while Paul McCartney did not actively participate in the track's creation. Ono's avant-garde influence on Lennon's songwriting and composition is clear throughout "Revolution 9." Believing the track to be too uncommercial for even the Beatles to get away with, McCartney and producer George Martin fought hard to keep the track off the White Album, but Lennon and Ono won out, and the track was included as the second from last song at the end of the album's fourth side. Structure and content "Revolution 9" starts with a conversation between George Martin and Alistair Taylor: Alistair Taylor: ...bottle of Claret for you if I'd realized. I'd forgotten all about it George, I'm sorry. George Martin: Well, do next time. Taylor: Will you forgive me? Martin: Mmmm...yes.... Taylor: Cheeky #@!&. (Although this conversation is usually known to be the beginning of "Revolution 9," the time tracking from the CD indicates it as the tail end of the previous track, "Cry Baby Cry," following Paul's short solo song "Can You Take Me Back.") After a brief piano introduction, a loop of a male repeating the words "number nine" (taken from an EMI examination tape) begins to be heard. This phrase fades in and out throughout the recording as a motif. Then there is chaos: feedback, impromptu screaming, rehearsed overdubs, and more tape loops. As some portions of "Revolution 9" are recordings of other music (from bits of Sibelius and Beethoven, to a backward snippet of a tuning orchestra, culled from the session tapes for A Day in the Life), the piece can be seen as an early example of sampling. Other audio elements include various bits of apparently nonsensical dialogue spoken by Lennon and Harrison, various found sounds, reversed sounds and recordings of American football chants. Also heard is the "all right" from the end of Revolution 1 (this piece was supposed to be the coda to Revolution 1 but was pushed back to several tracks after it). Also at 6:48 you can hear what seems to be the intro to Harrison's "While My Guitar Gently Weeps" played much faster on piano. [edit] "Paul is Dead" significance "Revolution 9" played an important part in the infamous "Paul is dead" controversy. Most notably, the repeated "number nine" played backwards can be heard as "Turn me on, dead man." If one listens carefully, the "babble", many believe, includes other hints left by the band about Paul's alleged death, including "My wings are broken," "Paul is Dead... Since the..his suicide was..." and "Get me out!" As the "Paul is dead" rumours were quickly debunked, these "clues" are creative misinterpretations of "Revolution 9", but they remain an interesting footnote to the Beatles' history. The mob sounds throughout are believed to be the people circling around Paul McCartney's "fatal car crash". Related works While "Revolution #9" is the Beatles' longest and easily strangest recording, it is not the only avant-garde song they recorded in their career. There is another, legendary recording known as "Carnival of Light", written by Paul McCartney and recorded by the Beatles during the Sgt. Pepper sessions on 5 January 1967. Like "Revolution 9", Carnival of Light is an avant garde piece, and clocks in at 13:48 minutes. The song has never been released, nor has it even been bootlegged. Very few people have ever heard the track. Paul McCartney has confirmed its existence, and the track was supposed to appear on Anthology 2 but George Harrison or George Martin vetoed it.

Paul McCartney

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The Beatles at Abbey Road Studios


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Paul McCartney The Beatles at Abbey Road Studios
Paul McCartney The Beatles at Abbey Road Studios
Paul McCartney The Beatles at Abbey Road Studios

[NO SOUND]February 27th, 1964 - Random clips of the Beatles recording songs and fooling around in their Abbey Road Studio. Features George Martin. Note: The original clip had no dialogue, it had a rough version of "And I Love Her" playing in the backgr

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ound (at 1:16 you can see Paul singing the words "I know this love of mine..."), if you play that song while watching this, you pretty much get the same effect.

Paul McCartney

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The Beatles - Paperback Writer (Take 1)


Views: 1706

Paul McCartney The Beatles - Paperback Writer (Take 1)
Paul McCartney The Beatles - Paperback Writer (Take 1)
Paul McCartney The Beatles - Paperback Writer (Take 1)

The Beatles - Paperback Writer (Take 1) From the bootleg The Alternate Versions Vol. 2 - The Psychedelic Years 1966-1968. _______________________________________Take 1 breakdown and cv remix, dialogue cut

Paul McCartney

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Tangerine salad for Jimmy Page Led Zeppelin


Views: 483

Paul McCartney Tangerine salad for Jimmy Page Led Zeppelin
Paul McCartney Tangerine salad for Jimmy Page Led Zeppelin
Paul McCartney Tangerine salad for Jimmy Page Led Zeppelin

A Tangerine is sometimes called a mandarin orange. Tangerine Spinach Salad: Lay baby spinach leaves on a plate. layer with avocado and thin slices of red onion and tangerine pieces. Then top with almond slices and sprinkle with my asain dressing. Ro

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ckstar worthy dressing: 1//2 c. soy sauce 1/4 c. rice vinegar or the juice of one lemon. 1/3 cup tangerine juice 1/2 c. oil 2 Tablespoons sugar 2 cloves of garlic minced 1 teaspoon fresh minced ginger 1 teaspoon tangerine zest. Store in container in fridge and can be used for many uses ie dipping sauce for potstickers. If you add 1/2 sugar it turns in a nice terriaki sauce for baked chicken or pork. Triva: This was the second Led Zeppelin song to be named after a fruit, the first being "The Lemon Song". Jimmy Page wrote this and first recorded it when he was with still with The Yardbirds. This was the last Zeppelin song Jimmy Page wrote without any input from Robert Plant. The song is about a love affair. Page played a steel guitar on this. Led Zeppelin played this during acoustic sets on their early tours."Tangerine" - A Page composition left over from his days in the Yardbirds, written for his girlfriend at the time, Jackie DeShannon. Staying briefly in England in 1965, DeShannon formed a songwriting partnership with Jimmy Page, which resulted in the hit singles "Dream Boy" and "Don't Turn Your Back On Me". Page and DeShannon also wrote material for singer Marianne Faithfull, including her Top Ten UK and U.S. hit "Come and Stay With Me". Paul McCartney and Wings' song "Rock Show" with the line: "What's that man movin' 'cross the stage? It looks a lot like the one used by Jimmy Page. It's like a relic from a different age. Could be...Oo-Ee..." This was used at the end of the 2000 movie Almost Famous in a scene where a bus drives away.Page is mentioned in thPage has dated a number of famous groupies, such as Pamela Des Barres and Bebe Buell.. She is the mother, with Tyler, of actress Liv Tyler. Cameron Crowe has said he based his Penny Lane character in the 2000 movie ''Almost Famous'' on two women he met during the early 70's Bebe Buell and Pennie Trumble aka "Penny Lane". He speaks highly of both Buell and Trumble in the extended DVD of the movie and even said that he took some of Penny's direct dialogue from statements Buell had made in various interviews over the years. Kate Hudson was nominated for an Oscar for the role

Paul McCartney

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"The Music of Lennon & McCartney" TV Special Part 1


Views: 845

Paul McCartney The Music of Lennon & McCartney TV Special Part 1
Paul McCartney The Music of Lennon & McCartney TV Special Part 1
Paul McCartney The Music of Lennon & McCartney TV Special Part 1

"The Music of Lennon & McCartney was a show about The Beatles' music. Starring John Lennon and Paul McCartney, they show us other artists that covered their songs, hear them in different languages, hear the lyrics straight into dialogue, and best of all,

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hear them (along with George Harrison and Ringo Starr) sing their greatest songs!"

Paul McCartney

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Cast of Beatlemania: I Am The Walrus (Long Island 2007)


Views: 2533

Paul McCartney Cast of Beatlemania: I Am The Walrus (Long Island 2007)
Paul McCartney Cast of Beatlemania: I Am The Walrus (Long Island 2007)
Paul McCartney Cast of Beatlemania: I Am The Walrus (Long Island 2007)

7/21/2007, New Hyde Park, Long Island. http://www.moptops.com/home.html The "Cast" recreates the sights and sounds of The BEATLES so faithfully that you will recall when the world was engulfed in the most pleasant fever of all: BEATLEMANIA! The "Cast"

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continue in their show as The BEATLES changed in their careers. Three different costumes coincide with the changing music and times. Theirs is the first, original and only complete representation of the musical force called The BEATLES. The "Cast" features former members who starred in the Broadway production and have performed in all fifty states and over twenty foreign countries. The "Cast" was individually selected from thousands of musicians who auditioned for the Broadway show, BEATLEMANIA. "I Am the Walrus" is a 1967 song by The Beatles, written by John Lennon and credited to Lennon/McCartney. Lennon claimed he wrote the first two lines on separate acid trips. The song was in the Beatles' 1967 television film and album "Magical Mystery Tour," and was the B-side to the #1 hit "Hello, Goodbye." Lennon composed the avant-garde song by combining three songs he had been working on. When he learned that a teacher at his old primary school was having his students analyze Beatles' lyrics, he added a verse of nonsense words. The walrus is a reference to the walrus in Lewis Carroll's "The Walrus and the Carpenter" (from the book Through the Looking-Glass). Lennon expressed dismay that the walrus was the villain in the poem. The genesis of the lyrics is found in three song ideas that Lennon was working on, the first of which was inspired by hearing a police siren at his home in Weybridge; Lennon wrote the lines "Mis-ter cit-y police-man" to the rhythm of the siren. The second idea was a short rhyme about Lennon sitting in his garden, while the third was a nonsense lyric about sitting on a corn flake. Unable to finish the ideas as three different songs, he combined them into one. Lennon received a letter from a pupil at Quarry Bank Grammar School, which he had attended. The writer mentioned that the English master was making his class analyze Beatles lyrics (Lennon wrote an answer, dated September 1, 1967, which was auctioned by Christie's of London in 1992). Lennon, amused that a teacher was putting so much effort into understanding Beatles lyrics, wrote the most confusing lyrics he could. Lennon's friend and former fellow member of The Quarrymen, Peter Shotton, was visiting, and Lennon asked Shotton about a playground nursery rhyme they sang as children. Shotton remembered: "Yellow matter custard, green slop pie, All mixed together with a dead dog's eye, Slap it on a butty, ten foot thick, Then wash it all down with a cup of cold sick". Lennon borrowed a couple of words, added the three unfinished ideas and the result was "I Am the Walrus". Beatles official biographer Hunter Davies was present while the song was being written and wrote an account in his 1968 book on the band. Lennon remarked to Shotton, "Let the fu**ers work that one out." All the chords are major chords or seventh chords, and all the musical letters of the alphabet (A, B, C, D, E, F and G) are used. The song ends with a chord progression built on ascending and descending lines in the bass and strings, repeated over and over as the song fades. Musicologist Alan W. Pollack analyzes: "The chord progression of the outro itself is a harmonic Moebius strip with scales in bassline and top voice that move in contrary motion." The bassline descends stepwise A, G, F, E, D, C, and B, while the strings' part rises A, B, C, D, E, F#, G: this sequence repeats as the song fades, with the strings rising higher on each iteration. Pollack also notes that the repeated cell is seven bars long, which means that a different chord begins each four-bar phrase. The unusual monologue in the mix towards the end of the song is a few lines of Shakespeare's "King Lear" (Act IV, Scene VI), which were added to the song direct from an AM radio receiving the broadcast of the play on the BBC Home Service. The bulk of the audible dialogue, heard in the fade, is the death scene of the character Oswald (including the words, "O untimely Death! Death!"); this is just one additional piece of the Paul is Dead urban legend. George Martin arranged and added the orchestral accompaniment that included violins, cellos, horns, clarinet and a 16-piece choir. Paul McCartney said that Lennon gave instructions to Martin as to how he wished the orchestration to be scored, including singing most of the parts as a guide. A large group of professional studio vocalists named "The Mike Sammes Singers", took part in the recording as well, variously singing "Ho-ho-ho, hee-hee-hee, ha-ha-ha", "oompah,oompah, stick it up your jumper!", "got one, got one, everybody's got one" and making a series of shrill whooping noises. http://www.moptops.com/contact.html

Band On The Run [Disc 2]1) Band on the Run Nicely Toasted Mix2) Band On The Run Original3) Band On The Run Barn Rehearsal - 21st July 19894) Mamunia Original5) Bluebird Live Australia 19756) Bluebird Original7) No Words Original8) No Words Band On The Run Original9) Jet Original from Picassos Last Words10) Jet Berlin Soundcheck - 3rd September 199311) Dialogue12) Nineteen Hundred And Eighty Five Original13) Mrs. Vandebilt Original14) Let Me Roll It Cardington Rehearsal - 5th February 199315) Mrs. Vandebilt Background16) Helen Wheels Crazed17) Band On The Run Strum Bit18) Picassos Last Words Background19) Picassos Last Words Acoustic Version 1979-12-17 - The Apollo Glasgow Concert - Disc 21989-11-23 - The Forum LA U.S.A. Disc 11993-09-15 - Live At Earls Court London UK - Disk 11993-12-14 - Tokyo Dome - Magical Mystery Tokyo2 Buddies on Holly Day2002-05-15 - Live In Tampa Florida USA - Disk 12003-03-25 - Live At Bercy2003-05-10 - Live At Coliseum Rome IT - Disk 22003-05-27 - Dublin Soundcheck2005-09-23 - Philadelphia U.S.A. Disc 22005-10-23 - Milwaukee U.S.A. Disc 12005-10-23 - Milwaukee U.S.A. Disc 22005-11-12 - Anaheim U.S.A. Disc 12005-11-12 - Anaheim U.S.A. Disc 22005-11-12 - Anaheim U.S.A. Disc 324 May Red Square Disc 13 special disk with Japanese releaseA Hot Night In CharlotteAir Canada Centre Toronto CanadaAlbum Pizza and Fairy Tales Disc2Album TitleAll My TrialsAll My Trials singleALL THE BESTAll the bestAll The BestAll The BestAll the best chapter oneAll The Best!All The Best!All The Best!All The Best!All The Best! UKAll The RestAlternate Takes 1970-72Alternate Takes 1975-78Alternate Takes 1979-81Alternate Takes 1982-85Alternate Takes 1986-89Alternate Takes 1989-92Alternate Takes 1993-97Another DayAnthology Disc 1Anthology Disc 2B Sides HimselfB-Sides Complete Disc 1B-Sides Complete Disc 3B-Sides Complete Disc 4B-Sides Complete Vol. 1B-Sides Complete Vol. 2B-Sides Complete Vol. 5B-Sides Complete Vol. 6Back Home Liverpool 2003-06-01 Disc 2Back Home Liverpool 2003-06-01 Disc 3Back in the U.S. 1 of 2Back In The U.S. CD 2Back In The U.S. Live 2002Back In The U.S. Live 2002 CD2Back In The US CD1Back In The USSRBack In The WorldBack In The World - CD 2back in the world european edition CD1Back In The World Live CD 2Back In The World Live Disk 1 of 2Back In The World Live - CD2Back In The World Live CD 2Back in the World Live CD 2Back In The World Live CD1back in the world live CD1Back in the world live CD2Back In The World Live Disc 1Back In The World Live Disc 2Back In The World Tour Cd2Back To The Big Egg Disc 1Back To The Big Egg Disc 2Back To The Big Egg Disc 3Back To The EggBackYard+Ballroom DancingBand On The RunBand on the run vinyl cutBand on the Run 25th Anniversary Ed. 2Band on the Run; Pipes of PeaceBarcelona 28-03-2003Beautiful Night UK Maxi-Single 1Beautiful Night UK Maxi-Single 2Best 16Best SelectionBiker Like An IconBiker Like An Icon CD5Birthday CD SingleBring To Ewe By ThrillingtonBudaBEST! 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Kennedy Stadium Disc 2Live At The Compaq Center 2002Live At The Covern ClubLive In Antwerpen - 2003 - Disc twoLive In Antwerpen 2003 disc oneLive In Arnheim 2003 Disc 1Live in Berkley 1990Live in Birmingham 2003Live in Birmingham 2003 CD 1Live in Birmingham 2003 CD 2Live In Milwaukee USA - 2005-10-23 Disc 1Live In Milwaukee USA - 2005-10-23 Disc 2Live In Philadelphia USA - 2005-09-23 Disc 2Live in Phoenix 2002 CD 1Live in Phoenix 2002 CD 2Live in Phoenix 2002 CD 3Live in Rome Coliseum - Disc 1Live in Rome Coliseum - Disc 2Live in Rome Coliseum - SoundcheckLive in San Jose 4-3-2002 Audience CD1Live in San Jose 4-3-2002 Audience CD2Live In San Jose Disc 1Live In San Jose Disc 2Live In Sheffield - 2003-04-05Live In USA 1993Live Red Square Moscow - Disc 2Liverpool Sound CollageLondon Town Tug of WarLondon Town Roughs DemosLonely RoadLonely Road SingleLooking For ChangesLooking For Changes Live At The Ed Sullivan TLooking For Changes Live at the Ed Sullivan ThLost McCartney Album - Disc 2Lost Tracks A?Z 96 Tug of War and Pipes of PeaceLove SongsLove Songs Disc 2Magical Mystery TokyoMaxi-singles Collection Vol.1 - Disc OneMaxi-singles Collection Vol.1 - Disc TwoMaxi-singles Collection Vol.2 - Disc OneMaxi-singles Collection Vol.2 - Disc TwoMaxi-singles Collection Vol.3 - Disc OneMaxi-singles Collection Vol.3 - Disc TwoMcCartneyMcCartney 1-13 Ram 14McCartney 1970 Press to PlayMcCartney DCCMcCartney Destroys Anaheim Disc 2McCartney IIMcCartney IIMcCartney IIMcCartney II Complete - disc 2McCartney Mono AcetateMcCartney On McCartney - Disc 2McCartney On McCartney - Disc 3McCartney On McCartney - Part 2McCartney On McCartney - Part 4McCartney On McCartney - Part 5McCartney On McCartney - Part 6McCartney On McCartney - Part 7McCartney On McCartney - Part 8McCartney On McCartney Part 3McCartney-McManus CollaborationsMemory Almost Fullmemory almost fullMemory Almost Full [2007]Memory Almost Full [Limited Edition] - DiscMemory Almost Full Disk 2Memory Almost Full Limited Edition - Disc 2Memory Almost HullMoMac?s Hidden Tracks Vol.01MoMac?s Hidden Tracks Vol.02MoMac?s Hidden Tracks Vol.03MoMac?s Hidden Tracks Vol.10MoMac?s Hidden Tracks Vol.11MoMac?s Hidden Tracks Vol.12MoMac?s Hidden Tracks Vol.13MoMac?s Hidden Tracks Vol.14MoMac?s Hidden Tracks Vol.15MoMac?s Hidden Tracks Vol.16MoMac?s Hidden Tracks Vol.17MoMac?s Hidden Tracks Vol.18MoMac?s Hidden Tracks Vol.19MoMac?s Hidden Tracks Vol.20MoMac?s Hidden Tracks Vol.21MoMac?s Hidden Tracks Vol.22MoMac?s Hidden Tracks Vol.23MoMac?s Hidden Tracks Vol.24MoMac?s Hidden Tracks Vol.25MoMac?s Hidden Tracks Vol.26MoMac?s Hidden Tracks Vol.27MoMac?s Hidden Tracks Vol.28MoMac?s Hidden Tracks Vol.29MoMac?s Hidden Tracks Vol.30MoMac?s Hidden Tracks Vol.6MoMac?s Hidden Tracks Vol.7MoMac?s Hidden Tracks Vol.8MoMac?s Hidden Tracks Vol.9MoMacs Hidden Tracks 05MoMacs Hidden Tracks 07MoMacs Hidden Tracks 08MoMacs Hidden Tracks 11MoMacs Hidden Tracks 12MoMacs Hidden Tracks 13MoMacs Hidden Tracks 14Momacs Hidden Tracks 26Momacs Hidden Tracks 28Momacs Hidden Tracks 29Momacs Hidden Tracks 30MoMacs Hidden Tracks Vol. 22MoMacs Hidden Tracks Vol.03MoMacs Hidden Tracks Vol.04MoMacs Hidden Tracks Vol.19MoMacs Hidden Tracks Vol.29Momc Hidden Tracks Vol. 18Moscow May 24th Disc 2Motor Of LoveMy Brave FaceMy Brave Face CD SingleNever Stop Doing What You LoveNew Moon Over JamaicaNew Moon Over Jamaica Vol. 2New Moon Over Jamaica Vol. 3New Moon Over Macca - Disc 6New Moon Over Macca Disc FOurNew Moon Over Macca Vol.5New York 1992No more lonely nightsNo Other Baby StereoNow Hear ThisOdds n Sods Vol 3Off The Forum Disc 1Off The Forum Disc 2Off The GroundOff The GroundOff The Ground CD5Off The Ground Empty Space DelightsOff The Ground epOff The Ground The Complete Works [CD2]Once Upon A Long Ago CD5One Hand Clapping Rehearsals-CD 2Oobu JoobuOobu Joobu - Part 2Oobu Joobu - Part 5Oobu Joobu - Part 7Oobu Joobu - Part 9Oobu Joobu Part 1 2 Disk 1Oobu Joobu Part 11Oobu Joobu Part 12Oobu Joobu Part 13Oobu Joobu Part 14Oobu Joobu Part 15Oobu Joobu Part 16Oobu Joobu Part 17Oobu Joobu Part 3Oobu Joobu Part 8Oobu Joobu Pt. 10Oobu Joobu Pt. 6Oobu Joobu Widescreen Radio EcologyOut In The Crowd Disc 1Party Party CD3 from Flowers In The Dirt BoxPaul Is LivePaul is livePaul Is Vision Disc 1Paul Is Vision Disc 2Paul McCartneyPaul McCartney Back In The U.S.A.1Paul McCartney BestPaul McCartney LivePaul McCartney Live Roma 2003 SoundcheckPaul McCartney Loris MixPaul McCartney ROCKS PromoPaul McCartney und WingsPaul McCartney v?logat?sPaul McCartneys A Leaf performed by Anya AlexeyevPaul Was Here. Live In Paris 1989Paul Was Here. Live In Paris 1989 - CD 2Pieces Of A Flaming PiePipes Of PeacePipes of PeacePizza and Fairy TalesPlatine Collection Played To PressPlugged and UnpluggedPress To PlayPress to PlayPut It There CD5Radio Ones Liverpool Concert June 1990RamRam - Wings Over AmericaRAM Wings wild lifeRed rose speedwayRed Sundown cd 1Redrose SpeedwayREHEARSALS FOR THE NEW WORLD TOUR 1993Rehearsals jams soundchecks cd1Rehearsals jams soundchecks cd2Rehearsals jams soundchecks cd3Return To PepperlandRock Devil RockRockestra Session Yellow Dog-Orange YD 024Roots Of Rock CD2Rude Studio DemosRude Studio Demos Speed CorrectedRun Devil RunRun Devil RunRun Devil Run Bonus DiscSecret Friend Vol.1 Disc 1Secret Friend Vol.1 Disc 4Secret Friend Vol.2 Disc 1Secret Friend Vol.2 Disc 2Seems Like Old TimesSilly Love Songs The RemixesSingles As BsSir Paul at the Cavern ClubSold On Songs BBC 2005-09-17St.Petersburg 6-20-04Disc 1St.Petersburg 6-20-04Disc 3-soundcheckStanding StoneStudio Tracks Vol. 1Studio Tracks Vol. 2Studio Tracks Vol. 3Studio Tracks Vol. 4The Alternate McCartneyThe Alternate Press To PlayThe Alternate RamThe Alternate Red Rose SpeedwayThe Alternate Wild LifeThe Cavern ClubThe Cavern Club ConcertThe collection vol. 2The collection vol.1The Complete Russian SessionsThe Elstree TapesThe Fabulous One Disc 1The Long And Winding RoadThe Long And Winding Road epThe Lost McCartney AlbumThe Magical US.-TourThe MPL Lawyer TapeThe New World SamplerThe Odds Ends Collection Vol.1 Disc 1The Odds Ends Collection Vol.1 Disc 2The Odds Ends Collection Vol.1 Disc 3The Odds Ends Collection Vol.2 Disc 1The Odds Ends Collection Vol.2 Disc 3The Odds Ends Collection Vol.3 Disc 2The Soundcheck Songs Vol 1The Soundcheck Songs Vol 2The Soundcheck Songs Vol 3The Soundcheck Songs Vol.1The Soundcheck Songs Vol.2The Soundcheck Songs Vol.3The Soundcheck Songs Vol.4The Space Within Us All Access Radio IntervieThe String Quartet Tribute To Paul McCartneyThe True Saturday Night Live RehearsalsThe Uncut Countdown TapeThe Very Best ofThe Weekend Starts Here - London Arena - DocklandsThe World TonightThe World Tonight 1. singleThe World Tonight 2. singleThe World Tonight Single CDThe Worlds First Beatles Shaped CDThis One CD SingleTokyo Japan - November 14 15 1993 - Disc 2Tripping The Life Fantastic - Disc 1Tripping The Live Fantastic - CD 1Tripping The Live Fantastic - Highlights!Tripping the Live Fantastic CD 2Tripping The Live Fantastic DISC 1Tripping The Live Fantastic Disc 1Tripping The Live Fantastic Disc 2Tripping The Live Fantastic Disc OneTripping The Live Fantastic II Disc 2Tug Of WarTug Of WarTug Of WarTug Of War Back To The EggUltimate 1978-1997UNPLUGGEDUnplugged Single Hits VIUnplugged The Official Bootleg