~ Peggy Sue
Views: 1034 |  |  |  |  | I found this clip with Paul McCartney and had to horn in on his act. And since tomorrow is the anniversary of Buddy Holly's untimely death, what better song to sing in tribute to Buddy. That's why I put him at the end so you can see and hear the real deal ...More . In my opinion, Buddy is one of the true pioneers of rock and roll.
(And one helluva songwriter!) |
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~ The Beatles - Two Of Us
Views: 8911 |  |  |  |  | The Beatles - Two Of Us
Copyright - 1970 EMI Records Ltd.
"Two of Us" is a 1969 song by The Beatles, written by Paul McCartney, although, in his 1980 Playboy interview, John Lennon claimed to have written it. Lennon and McCartney sang the song as a ...More duet. It was written for Linda Eastman, McCartney's soon to be wife, though it sounds at times as if it is addressing Lennon, whose relationship with McCartney was tense at that time.
"Two of Us" was originally released on Let It Be and was later released on Anthology 3 and Let It Be... Naked.
Overview
"Two of Us" originally began as a rocker with a strong "Peggy Sue" drum beat. In the Let It Be film, McCartney and Lennon sing the song "rocker" style into the same mic. The song lost its rock leanings as Paul worked out the composition over January 1969, and it became a more introspective song. The Beatles performed a finished version of the song live at Apple Studios on 31 January 1969; this performance was included in both the Let it Be film and album.
Instrumentation
Acoustic guitars are the primary instruments in the song, though it also features a bass line played by George Harrison on his rosewood Telecaster with the tone 'rolled up'. Ringo Starr added a lighter drum beat, with a bass drum shot on each beat and snare linking the verses to the bridge.
Intro
At the beginning of the recording Lennon shouts,
"'I Dig a Pygmy', by Charles Hawtrey and the Deaf Aids... Phase One, in which Doris gets her oats!"
The shout was mixed in by Phil Spector for the Let It Be album and also appeared in the Let It Be film, both released in 1970. "The deaf aids" was the nickname given to The Beatles' Vox amplifiers.
Writing credit
In his 1980 interview with Playboy, Lennon claimed he wrote the song, but he may have been distracted at the time by a previous question about "Don't Let Me Down."
Playboy: "Don't Let Me Down"?
Lennon: That's me, singing about Yoko.
Playboy: "Two of Us"?
Lennon: Mine. By the way, Rod Stewart turned "Don't Let Me Down" into [sings] 'Maggie don't go-o-o.' That's one the publishers never noticed...
Recorded Apple Studios:
31 January 1969
Lyrics:
Two of us riding nowhere
spending someone's hard earned pay
You and me Sunday driving
Not arriving on our way back home
We're on our way back home
We're on our way home
We're going home
Two of us sending postcards
writing letters on my wall
You and me burning matches
lifting latches on our way back home
We're on our way back home
We're on our way home
We're going home
You and I have memories
longer that that road
that stretches out ahead
Two of us wearing raincoats
standing solo in the sun
You and me chasing paper
getting nowhere on our way back home
We're on our way back home
We're on our way home
We're going home
You and I have memories
longer that that road
that stretches out ahead
Two of us wearing raincoats
standing solo in the sun
You and me chasing paper
getting nowhere on our way back home
We're on our way back home
We're on our way home
We're going home
We're going home |
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~ The Beatles - P.S. I Love You
Views: 143574 |  |  |  |  | The Beatles - P.S. I Love You
High Quality: http://www.youtube.com/watch?v=ow355d7Ubkw&feature=email&fmt=18
Copyright - 1963 EMI Records Ltd.
"P.S. I Love You" is a song composed principally by Paul McCartney credited to McCartney-Lennon, which ...More was first recorded by the The Beatles and released on 5 October 1962 as the B-side of their "Love Me Do" single. It is also included on their 1963 album Please Please Me.
Recording
The version featured on the single and album was recorded in ten takes on 11 September 1962 at Abbey Road Studios, London. Session drummer Andy White (brought in by producer George Martin as he wasn't happy with Pete Best, and hadn't yet heard Ringo Starr) gave the recording a lightweight cha cha [2] treatment, and consequently it misses the distinctive heavy drum beat that characterised most of their early music. Starr plays maracas.
The Beatles (with Ringo Starr playing drums) also recorded this song at the BBC on 25 October 1962; 27 November 1962 and 17 June 1963 for subsequent broadcast on the BBC radio programmes Here We Go, Talent Spot, and Pop Go the Beatles, respectively.
Inspiration
Written in 1961, while Paul McCartney was in Hamburg, this song is sometimes considered to be a dedication to his then-girlfriend, Dot Rhone. However, McCartney denies this; he described "P.S. I Love You" as
" a theme song based on a letter... It was pretty much mine. I don't think John had much of a hand in it. There are certain themes that are easier than others to hang a song on, and a letter is one of them... It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think. "
John Lennon said about this song:
" That's Paul's song. He was trying to write a Soldier Boy like the Shirelles. He wrote that in Germany, or when we were going to and from Hamburg. I might have contributed something. I can't remember anything in particular. It was mainly his song. "
("Soldier Boy" was a US #1 single for the Shirelles in 1962.)
With a pleasant sounding melody, the verse and chorus could be considered typical McCartney, and its lyrics were popular with female fans. The young Lennon and McCartney would often introduce what might be considered incongruous sounding jazz chords into their very early compositions (almost certainly McCartney's influence, as he was the more advanced musician at this early stage[6] ) as is the case here inserting C#7 (on "write") between the chords G and D in its opening chorus.
The Beatles admired Buddy Holly and the Crickets. In addition to the literal content of the song lyrics, writer Jonathan Cott suggested that the "P.S." part of the song was also a subtle reference to "Peggy Sue", from the lyric "I love you, Peggy Sue".
Re-release
On its twentieth anniversary, Parlophone re-issued "P.S. I Love You" as a picture disc, and shortly afterwards as a 12-inch disc
Lyrics:
As I write this letter
Send my love to you
Remember that I'll always
Be in love with you
Treasure these few words
Till we're together
Keep all my love forever
P.S. I love you
you, you, you
I'll be comin' home again to you, love
Until the day I do love
P.S. I love you
you, you, you
As I write this letter
Send my love to you (you know I want you to)
Remember that I'll always
Be in love with you (yeah)
Treasure these few words
Till we're together
Keep all my love forever
P.S. I love you
you, you, you
As I write this letter
Send my love to you (you know I want you to)
Remember that I'll always
Be in love with you (yeah)
I'll be comin' home again to you, love
Until the day I do love
P.S. I love you
you, you, you
you, you, you
I love you |
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~ Janis and Nate ~ See The World
Views: 2991 |  |  |  |  | Janis and Nate travel the globe (in the same clothes, evidently!) to the tune of The Two of Us by The Beatles.
Notes on the Song:
Two of Us (The Beatles song)
"Two of Us"
Song by The Beatles
Album Let It Be
Released 8 May 1970
Recorded App ...More le Studios:
31 January 1969
Genre Rock
Label Apple, EMI
Writer Lennon/McCartney
Producer George Martin
Let It Be track listing
"Two of Us" is a 1969 song by The Beatles, written by Paul McCartney,[citation needed] although, in his 1980 Playboy interview, John Lennon claimed to have written it.[1] Lennon and McCartney sang the song as a duet. It was written for Linda Eastman, McCartney's soon to be wife, though it sounds at times as if it is addressing Lennon, whose relationship with McCartney was tense at that time.
"Two of Us" was originally released on Let It Be and was later released on Anthology 3 and Let It Be... Naked.
"Two of Us" originally began as a rocker with a strong "Peggy Sue" drum beat. In the Let It Be film, McCartney and Lennon sing the song "rocker" style into the same mic. The song lost its rock leanings as Paul worked out the composition over January 1969, and it became a more introspective song. The Beatles performed a finished version of the song live at Apple Studios on 31 January 1969; this performance was included in both the Let it Be film and album.
StollCo Video
Bill Stoll |
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~ Alan Freeman 1974_part 1 of 9
Views: 1906 |  |  |  |  | Information for each part of this British Radio Show :
- Meditation with the eye-closed such like Ravi Shankar's performance, Eric Clapton in Rainbow Concert, ...Jelly Bean thrown on the stage.
- The Beatles' Changing, the impression on Ravi Shankar ...More , Lord Krishna (Krsna).
- 'My Sweet Lord' inspiration by both Hallelujah and Hare Krishna, mis-perception about Jesus Christ from Catholicism, '.....well, Jesus never went away, this is a joke'. :D
- How to write songs like 'Awaiting On You All', Buddy Holly's chords (Peggy Sue).
- The guitar-performing problem with Paul McCartney, the stance from Henry McCullough.
- The Beatles' called 'Revolution'.
- 'Far East Man' live performance, the close relationship with people.
- The poor perception of the media, the relationship with Paul McCartney after the 'sue me, sue you blues', John lennon's character.
- The perception of the phrase 'Dark Horse', 'I Don't Care Anymore' live performance. |
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~ Alan Freeman 1974_part 4 of 9
Views: 1078 |  |  |  |  | Information for each part of this British Radio Show :
- Meditation with the eye-closed such like Ravi Shankar's performance, Eric Clapton in Rainbow Concert, ...Jelly Bean thrown on the stage.
- The Beatles' Changing, the impression on Ravi Shankar ...More , Lord Krishna (Krsna).
- 'My Sweet Lord' inspiration by both Hallelujah and Hare Krishna, the mis-perception about Jesus Christ from Catholicism, '.....well, Jesus never went away, this is a joke'. :D
- How to write songs like 'Awaiting On You All', Buddy Holly's chords (Peggy Sue).
- The guitar-performing problem with Paul McCartney, the stance from Henry McCullough.
- The Beatles' called 'Revolution'.
- 'Far East Man' live performance, the close relationship with people.
- The poor perception of the media, the relationship with Paul McCartney after the 'sue me, sue you blues', John lennon's character.
- The perception of the phrase 'Dark Horse', 'I Don't Care Anymore' live performance. |
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~ Alan Freeman 1974_part 3 of 9
Views: 1057 |  |  |  |  | Information for each part of this British Radio Show :
- Meditation with the eye-closed such like Ravi Shankar's performance, Eric Clapton in Rainbow Concert, ...Jelly Bean thrown on the stage.
- The Beatles' Changing, the impression on Ravi Shankar ...More , Lord Krishna (Krsna).
- 'My Sweet Lord' inspiration by both Hallelujah and Hare Krishna, the mis-perception about Jesus Christ from Catholicism, '.....well, Jesus never went away, this is a joke'. :D
- How to write songs like 'Awaiting On You All', Buddy Holly's chords (Peggy Sue).
- The guitar-performing problem with Paul McCartney, the stance from Henry McCullough.
- The Beatles' called 'Revolution'.
- 'Far East Man' live performance, the close relationship with people.
- The poor perception of the media, the relationship with Paul McCartney after the 'sue me, sue you blues', John lennon's character.
- The perception of the phrase 'Dark Horse', 'I Don't Care Anymore' live performance. |
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~ Alan Freeman 1974_part 9 of 9
Views: 641 |  |  |  |  | Information for each part of this British Radio Show :
- Meditation with the eye-closed such like Ravi Shankar's performance, Eric Clapton in Rainbow Concert, ...Jelly Bean thrown on the stage.
- The Beatles' Changing, the impression on Ravi Shankar ...More , Lord Krishna (Krsna).
- 'My Sweet Lord' inspiration by both Hallelujah and Hare Krishna, the mis-perception about Jesus Christ from Catholicism, '.....well, Jesus never went away, this is a joke'. :D
- How to write songs like 'Awaiting On You All', Buddy Holly's chords (Peggy Sue).
- The guitar-performing problem with Paul McCartney, the stance from Henry McCullough.
- The Beatles' called 'Revolution'.
- 'Far East Man' live performance, the close relationship with people.
- The poor perception of the media, the relationship with Paul McCartney after the 'sue me, sue you blues', John lennon's character.
- The perception of the phrase 'Dark Horse', 'I Don't Care Anymore' live performance. |
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~ Alan Freeman 1974_part 5 of 9
Views: 639 |  |  |  |  | Information for each part of this British Radio Show :
- Meditation with the eye-closed such like Ravi Shankar's performance, Eric Clapton in Rainbow Concert, ...Jelly Bean thrown on the stage.
- The Beatles' Changing, the impression on Ravi Shankar ...More , Lord Krishna (Krsna).
- 'My Sweet Lord' inspiration by both Hallelujah and Hare Krishna, the mis-perception about Jesus Christ from Catholicism, '.....well, Jesus never went away, this is a joke'. :D
- How to write songs like 'Awaiting On You All', Buddy Holly's chords (Peggy Sue).
- The guitar-performing problem with Paul McCartney, the stance from Henry McCullough.
- The Beatles' called 'Revolution'.
- 'Far East Man' live performance, the close relationship with people.
- The poor perception of the media, the relationship with Paul McCartney after the 'sue me, sue you blues', John lennon's character.
- The perception of the phrase 'Dark Horse', 'I Don't Care Anymore' live performance. |
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~ Alan Freeman 1974_part 7 of 9
Views: 562 |  |  |  |  | Information for each part of this British Radio Show :
- Meditation with the eye-closed such like Ravi Shankar's performance, Eric Clapton in Rainbow Concert, ...Jelly Bean thrown on the stage.
- The Beatles' Changing, the impression on Ravi Shankar ...More , Lord Krishna (Krsna).
- 'My Sweet Lord' inspiration by both Hallelujah and Hare Krishna, the mis-perception about Jesus Christ from Catholicism, '.....well, Jesus never went away, this is a joke'. :D
- How to write songs like 'Awaiting On You All', Buddy Holly's chords (Peggy Sue).
- The guitar-performing problem with Paul McCartney, the stance from Henry McCullough.
- The Beatles' called 'Revolution'.
- 'Far East Man' live performance, the close relationship with people.
- The poor perception of the media, the relationship with Paul McCartney after the 'sue me, sue you blues', John lennon's character.
- The perception of the phrase 'Dark Horse', 'I Don't Care Anymore' live performance. |
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~ Alan Freeman 1974_part 2 of 9
Views: 539 |  |  |  |  | Information for each part of this British Radio Show :
- Meditation with the eye-closed such like Ravi Shankar's performance, Eric Clapton in Rainbow Concert, ...Jelly Bean thrown on the stage.
- The Beatles' Changing, the impression on Ravi Shankar ...More , Lord Krishna (Krsna).
- 'My Sweet Lord' inspiration by both Hallelujah and Hare Krishna, the mis-perception about Jesus Christ from Catholicism, '.....well, Jesus never went away, this is a joke'. :D
- How to write songs like 'Awaiting On You All', Buddy Holly's chords (Peggy Sue).
- The guitar-performing problem with Paul McCartney, the stance from Henry McCullough.
- The Beatles' called 'Revolution'.
- 'Far East Man' live performance, the close relationship with people.
- The poor perception of the media, the relationship with Paul McCartney after the 'sue me, sue you blues', John lennon's character.
- The perception of the phrase 'Dark Horse', 'I Don't Care Anymore' live performance. |
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~ Alan Freeman 1974_part 6 of 9
Views: 436 |  |  |  |  | Information for each part of this British Radio Show :
- Meditation with the eye-closed such like Ravi Shankar's performance, Eric Clapton in Rainbow Concert, ...Jelly Bean thrown on the stage.
- The Beatles' Changing, the impression on Ravi Shankar ...More , Lord Krishna (Krsna).
- 'My Sweet Lord' inspiration by both Hallelujah and Hare Krishna, the mis-perception about Jesus Christ from Catholicism, '.....well, Jesus never went away, this is a joke'. :D
- How to write songs like 'Awaiting On You All', Buddy Holly's chords (Peggy Sue).
- The guitar-performing problem with Paul McCartney, the stance from Henry McCullough.
- The Beatles' called 'Revolution'.
- 'Far East Man' live performance, the close relationship with people.
- The poor perception of the media, the relationship with Paul McCartney after the 'sue me, sue you blues', John lennon's character.
- The perception of the phrase 'Dark Horse', 'I Don't Care Anymore' live performance. |
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~ Alan Freeman 1974_part 8 of 9
Views: 430 |  |  |  |  | Information for each part of this British Radio Show :
- Meditation with the eye-closed such like Ravi Shankar's performance, Eric Clapton in Rainbow Concert, ...Jelly Bean thrown on the stage.
- The Beatles' Changing, the impression on Ravi Shankar ...More , Lord Krishna (Krsna).
- 'My Sweet Lord' inspiration by both Hallelujah and Hare Krishna, the mis-perception about Jesus Christ from Catholicism, '.....well, Jesus never went away, this is a joke'. :D
- How to write songs like 'Awaiting On You All', Buddy Holly's chords (Peggy Sue).
- The guitar-performing problem with Paul McCartney, the stance from Henry McCullough.
- The Beatles' called 'Revolution'.
- 'Far East Man' live performance, the close relationship with people.
- The poor perception of the media, the relationship with Paul McCartney after the 'sue me, sue you blues', John lennon's character.
- The perception of the phrase 'Dark Horse', 'I Don't Care Anymore' live performance. |
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