Bike Week in Daytona at the Band Shell. 30,000+ audience expected, come join us! Live and Let Die Site http://www.livenletdieonline.com Cronoslogic http://www.cronoslogic.com/lld_videos Indie Hits Productions (recording Studio) http://www.indiehitsproductions.com

atles on the 1967 album Sgt. Pepper's Lonely Hearts Club Band. Recording The first of two recording sessions for the song was at Regent Sound Studio in London on February 9, 1967 in three takes. Regent was used because Abbey Road was not available that night. This was the first time the Beatles used a studio other than Abbey Road for recording a track for an EMI album. The lead vocal was recorded at the same time as the rhythm track, a change from their post-1963 approach of overdubbing the vocal. According to McCartney, on the night of the session an unusual man appeared at the gate of McCartney's home and identified himself as Jesus Christ. After a cup of tea, and after getting him to promise to be quiet and sit in a corner, McCartney brought the man to the recording session. After the session the man left and was never heard from again. In another version of the story, John Lennon arrived at the studio, found the man hanging around the front door, and it was Lennon who invited him in. Inspiration A common theory is the song was about heroin injection (in reference to "hole" and "fix" lyrics) but McCartney said the song was "another ode to pot." He further said the song was about having the freedom to let one's mind roam freely. Another theory is the song is about McCartney repairing the roof of his Scottish farmhouse, but McCartney said he didn't get around to that until much later. McCartney has added to the confusion: In an interview with Q magazine from around the time of his 1997 album Flaming Pie, McCartney said that the song's lyric began with the simple idea of someone mending a hole in the road, and that he was living alone and smoking a lot of marijuana when he wrote it. In a 1967 interview, McCartney said the following lines were about those fans who hung around outside his door day and night and whose actions put him off. See the people standing there who disagree, and never win And wonder why they don't get in my door According to his diaries, Mal Evans—the Beatles' roadie—may have made some contribution to the writing of the song. Other versions In the 1978 film Sgt. Pepper's Lonely Hearts Club Band, the song was performed by George Burns in a soft shoe style. A classical version of the song was recorded on "Sgt. Pepper for Classical Guitar", the first full classical version of Sgt. Pepper. The album was released in 2004 by concert artist and composer Branimir Krstic. The Fray performed the song on June 2, 2007 in the same studios that the Beatles used to record the original. The remake was part of a 40th anniversary tribute to Sgt. Peppers Lonely Hearts Club Band. Recorded Regent Sound Studio 9, 21 February 1967 Lyrics: I'm fixing a hole where the rain gets in and stops my mind from wandering where it will go I'm filling the cracks that ran though the door and kept my mind from wandering where it will go And it really doesn't matter if I'm wrong I'm right where I belong I'm right where I belong See the people standing there who disagree and never win and wonder why they don't get in my door I'm painting my room in a colorful way, and when my mind is wandering there I will go And it really doesn't matter if I'm wrong I'm right where I belong I'm right where I belong Silly people run around they worry me and never ask me why they don't get past my door I'm taking my time for a number of things that weren't important yesterday and I still go I'm fixing a hole where the rain gets in and stops my mind from wandering where it will go where it will go I'm fixing a hole where the rain gets in and stops my mind from wandering where it will go

of Iraq. When Irish people rise up against British rule as they have done throughout the centuries you get images like these in the video. Thanks to you all for your worldwide support for freedom in Ireland Song performed by Wings. Give ireland back to the irish Dont make them have to take it away Give ireland back to the irish Make ireland irish today Great britian you are tremendous And nobody knows like me But really what are you doin In the land across the sea Tell me how would you like it If on your way to work You were stopped by irish soliders Would you lie down do nothing Would you give in, or go berserk Give ireland back to the irish Dont make them have to take it away Give ireland back to the irish Make ireland irish today Great britian and all the people Say that all people must be free Meanwhile back in ireland Theres a man who looks like me And he dreams of God and country And hes feeling really bad And hes sitting in a prison Should he lie down do nothing Should give in or go mad Give ireland back to the irish Dont make them have to take it away Give ireland back to the irish Make ireland irish today Give ireland back to the irish Dont make them have to take it away Give ireland back to the irish Make ireland irish today

he EMI Abbey road studio, London in July 2005. (Special thanks to Mr bonnzoh)

half-naked poster of Jackie and Dunlap. http://www.dualtonerecords.net/store/product-info.php?pid117.html Subscribe to look at us on the computer: http://youtube.com/subscription_center?add_user=travisandjonathan

Kate Hudson, Owen Wilson n Jim Carrey too I dont know~! According to Ghonkee, Pete Townsend and Rodger Daulty are here too..

Adewale - percussion Nathan Thomson-Double Bass Contact & Bookings: Kmusic info@antonioforcione.com QUOTES: '...Forcione has a freedom of expression that should never be stifled by a label; so go in to the record store and look under'Jazz''world music','acoustic music' ....or maybe just 'genius.' (Jane Brace) Observer "...Forcione seamlessly interweaves African, blues, Brazilian, classical, flamenco and Indian influences into an entirely personal signature sound. Evocative, sensuos, meticulously wrought, this is music-making with a singular vision.' ( Peter Queen) ****Jazz Wise (Apr 07) '...Guitar heroics, yes, but with a touch of class.' (Clive Davis) The Times (Dec 06) '...Recommended unreservedly.' (Tony Augarde) Amazon.com (Feb 07) '...Forcione is always imaginative, coaxing a huge sound from his guitar with blisteringly fast runs and unfamiliar chords, before slowing to a reflective, shimmering beauty.' (Gareth K Vile) www.stv.tv (06) '...Forcione is always imaginative, coaxing a huge sound from his guitar with blisteringly fast runs and unfamiliar chords, before slowing to a reflective, shimmering beauty.' (Gareth K Vile) www.stv.tv (06) '...Forcione is always imaginative, coaxing a huge sound from his guitar with blisteringly fast runs and unfamiliar chords, before slowing to a reflective, shimmering beauty.' (Gareth K Vile) www.stv.tv (06) - "A performer of world class status ... forceful and with an enviable technique, he takes the guitar to new levels of expression combining its melodic powers with dramatic percussive effects. Forcione boldly goes where no guitarist has gone before and the results are quite spectacular ... miss him at your peril". THE STAGE - "Forcione plays unstringed parts of the guitar other players can't hope to reach" THE INDIPENDENT - "Forcione belongs to the absolute world top" www.hi-fi.nl - "AF is a musician's musician in the best sense,with superlative tecnique that is fluent,natural and truly virtuoso without being flashy." Simon Broughton - SONGLINES '...Delightful.' (Ray Comiskey) **** Irish Times Antonio Forcione Quartet '...An excellent, exciting, exhilarating, musical experience.' **** www.one4review.com (Aug 05) "In a truly international quartet, the ever spectacular acoustic talents of Antonio Forcione are embellished with Nigerian cello, Australian double bass and Brazilian percussion. All are bedazzling musicians with personality, expressing the same gentle humour and joy in performance as the tender Italian centerpiece. Delicate, dynamic and controlled, the compositions and arrangements are inspired, showcasing a mind-boggling variety of styles and form. He's an all plucking, all strumming, all clicking, tapping, slapping virtuoso of world jazz - and comes highly recommended." **** - The List '...Forcione must surely be considered one of the most dynamic and imaginative guitarist on the contemporary scene.' (Peter Queen) Jazzwise (Jun 05) Antonio Forcione - Tears of Joy '...This is a perfec listning for a relaxing evening when you want to make the world go away.' (Benji Barlett) Guitarist (Jun 05) Antonio Forcione Quartet '...Quite simply, from Forciones guitar to the accordian, cello and percussion backing, this show is both a musicianly masterclass and a breathtaking live experience.' (David Pollock) The List ( 05 ) '...One of the greatest guitarist' The Guardian '...You have a beautiful touch' Paul McCartney